Carolina Jiménez is a curator and researcher. She lives and works in Barcelona, where she combines her work as an independent curator with institutional practice. Since 2019, she has been responsible for research programs and knowledge transfer at HANGAR. Previously, she was the academic director of the Independent Study Program (PEI) at MACBA. In various formats, her work has been presented at the Fundació Miró, La Casa Encendida, the Museu de la Música de Barcelona, the Filmoteca de Catalunya, Matadero Madrid, Centro Párraga, Vera Cortes Cortês, Twin Gallery, TBA21, among other contexts. Until 2017, she lived in Berlin, where she held curatorial and research roles at SAVVY Contemporary, Transmediale-CTM Vorspiel, Berlin Art Week, Bethanien, Grimmuseum, GlogauAir, or Altes Finanzamt. She writes for art publications, as well as exhibition catalogs and artist monographs.
Arnau Horta is an independent curator, art critic and researcher. In Spain, he curated projects for the MACBA, the Museo Nacional Centro de Arte Reina Sofía, the CCCB, Sónar, Caixafòrum, the Filmoteca de Catalunya, the philosophy festival Barcelona Pensa and La Casa Encendida, among others. He is Professor at the European Institute for Design (IED), and a usual contributor to the supplements ‘Cultura/s’ (La Vanguardia) and ‘Babelia’ (El País).
22 March 2017
ALMARE is an artistic-curatorial collective dedicated to practices and researches using sound as means of expression. In particular, ALMARE investigates the notion of listening and how it affects social and political dynamics. ALMARE works in curating, writing, publishing, collective research and sound and music production. In 2020 ALMARE started the production of “Life Chronicles of Dorothea Iesj S.P.U.”, a sci-fi audio-novel supported by the Italian Council – Directorate-General for Contemporary Creativity of the Italian Ministry of Culture. In 2021, ALMARE contributed to found the Turin-based network The Listeners together with Metamorfosi Notturne and Cripta 747.
ALMARE collaborated with national and international institutions such as Fondazione Baruchello, Rome (IT); Cité Internationale des Arts, Paris (FR); Hangar, Barcelona (ES); MACAO, Milan (IT); MAMbo – Museum of Modern Art, Bologna (IT); Polo del ‘900, Turin (IT); Radio Papesse, Florence (IT); Fondazione Sandretto Re Rebaudengo, Turin (IT); Timespan, Helmsdale (UK) and has involved artists, musicians, djs, philosophers and researchers including Vinit Agarwal, Thomas Ankersmit, Antwood, Lucrezia Calabrò Visconti, Federico Campagna, Eleni Ikoniadou & Viki Steiri, Enrico Malatesta, Porpora Marcasciano, Marina Rosenfeld, Carl Stone.
Supported by the Istituto Italiano di Cultura di Barcellona
Updated: 15 November 2023
Aura Satz’s work involves a mix of film, sound, performance and sculpture, focusing on the idea of ventriloquism to conceptualise a shared and expanded notion of voice. Her work is created in conversation by using dialogue as both method and subject. She has staged performances and exhibitions at the Tate Modern, BFI Southbank, New York Film Festival, Tate Britain, Whitechapel Gallery, NTT InterCommunication Centre, Tokyo, SFMOMA, San Francisco, Rotterdam Film Festival, MoMA NY, Sonic Acts or Kunsternes Hus, among others.