Giselle Beiguelman is a media artist, curator and Professor at the School of Architecture and Urbanism at the University of Sao Paulo (FAU-USP). Her research focuses on contemporary nomadism and digital culture. Her recently published book “Possible Futures: Art, Museum and Digital Archives”, is dedicated to discussing the preservation of digital memory and culture. Beiguelman has also been the curator of Tecnofagias – the 3rd 3M Digital Art Show, and of the on-line festivals HTTP_Video and HTTP_Pix. Her artworks reflect on urbanity and community as seen through digital media and have been exhibited worldwide at festivals and museums such as ZKM (Karlsruhe, Germany), Gallery @ Calit2 (UCSD, USA) and the Sao Paulo Biennial. Beiguelman’s interventions in public spaces, networked projects and mobile art applications are often characterised by a strong interactivity. She is also a pioneer in digital poetry and one of her most famous works is “The book after the book”, a hypertextual and visual essay published in 1999.

Lucas Bambozzi is an artist based in São Paulo, Brazil. He produces installations, single channel videos, short films, interactive projects and large-scale projections. His work has been shown in solo and collective exhibitions worldwide and included at international Biennales (Moma NY, ZKM, Frankfurter Kunstverein, ISEA-Ruhr, ISEA/Albuquerque, Laboral, Arco’s Expanded Box, Http Gallery in London, Havana Biennale, Laboratorio Arte Alameda in Mexico, ŠKUC gallery, Zero1 San Jose, Bienal de Artes Mediales in Chile, BIM Buenos Aires, WRO Biennale and many venues in Brazil). Some curatorial projects include SonarSound (2004); Digitofagia (2004); Life Goes Mobile (2005 – 2006), O Lugar Dissonante (2009), On_Off (2012-2015), Multitude (2014) and Visualismo (2015), among others. He is one of the creators of the Festival arte.mov Mobile Media Art (2006-2012) and of the Labmovel project (Honorary Mention Arts Electronica 2013). He also teaches at FAAP Visual Arts School in São Paulo.