He is currently Professor-Investigator Serra Húnter of the University of Barcelona. Subdirector at EINA (2019-2021). Director and founder of IDENSITAT, a collective project, through which he develops his research practice as an artist and cultural manager. He has been director of the ACVIC. Centre d’Arts Contemporànies (2010-2018) and has been part of the curatorial team of Co-habitar at Fabra i Coats Centre d’Art Contemporani de Barcelona (2016-2017).
His research activities focus on the relationship between artistic practices and social space, themes he has written extensively about through publishing articles in different books and magazines. He has curated exhibitions such as TRANSLOCACIONES, Observatorio de proyectos (Arts Santa Mònica, 2015, Barcelona), Artesanos, construcciones colectivas del espacio social (La Capella, 2013, Barcelona) Catalizadores (Arts Santa Mònica, 2010, Barcelona), Intervened Cities (La Capella , 2010, Barcelona), Apamar: Gráficas, Métricas y Políticas del Espacio (ACVIC, 2011, Vic). He has also edited and coordinated publications like Translocaciones. Experiencias temporales, prácticas artísticas y contextos locales (Roulotte: 11, ACM, 2015) and Mecanismos de Porosidad (EUMO Editorial / ACVIC, 2013, Vic), among others.

Last update 20th February 2023.

Angel Leung is a moving image and media art curator who works in HK, Paris, and London.

She is the curator of Micromégas (2021-2023), Video Gaze (2023) at Videoex, and Ersilia – Body of Gateway Cities (2022). Her co-curated programmes include Foundation: A Web3 Media Art Festival (2022-23), Virtual Bodies Micro Residency in Peer to Peer: UK/HK (2022), Birds without Legs: Body & Mobility (2022) and Digital Birth: Zooming in on NFT (2021) at Art Basel Hong Kong.

She finished her Master’s degree in Screen Art at Université de Strasbourg in 2016 and received her Bachelor’s degree in Creative Media at the City University of Hong Kong in 2009. She is also a researcher and writer on cinema. She co-edited the book David Lynch (Kubrick, 2017) while her articles were published in various media.

Cultural manager, curator. Co-founder of the contemporary Ukrainian art gallery Test Gallery Barcelona.

Rebeca M Urízar (Vitoria, 1996) has a degree in Fine Arts from the UPV-EHU (Bilbao, 2019) and a masters degree from the Uv. Nebrija Art Market (Madrid, 2021).

She has collaborated for several companies and events in the sector: as an assistant in the art gallery and artist residency with Sopa Gallery & KAIR from Kosice, Slovakia (2019-20); as well as at the Art & Tech Days for its IV Edition Festival (2019). She has also worked as an assistant at the Cámara Oscura Gallery stand during the 40th Anniversary of the ARCO Art Fair in Madrid (2021); at the PROYECTOR stand for the Art Madrid for its XVII Edition Art Fair in Madrid (2022); and in the general organization of the Hybrid Art Fair for its VI Edition (2022), among others.

As a cultural agent, she is interested in the latest trends in contemporary art and she collaborates on various proposals that promote and create new dialogues in the art world.

She has been collaborating with the KREAE Association for the PROYECTOR Festival since 2021. That same year she entered the production, communication and mediation team; Since 2022 she has been coordinating the Festival and providing support in communication, mediation and the curatorial team. Her main tasks include coordinating artists and venues, searching for new exhibition spaces, publishing on social networks and curating spaces.

Marc Villanueva Mir is an artist, dramaturge and researcher in performative arts. Graduated in stage direction and dramaturgy at the Institut del Teatre and in Literary Studies at the University of Barcelona, he has a master’s degree in Applied Theatre Studies at the University of Gießen. Together with Xesca Salvà, he coordinates the Postgraduate Course in Performance and Digital Technology at the Institut del Teatre. He is an artist-in-residence at the Santa Mònica Digitization Guild 2022-24.

Elisa Pardo Puch’s work takes as its starting point autobiographical events, emotions and everyday situations from which she extracts elements and forms to set a plastic process in motion.

The artist works with techniques that allow her to proceed in an intuitive, repetitive and meticulous way – such as drawing or sewing – and uses the tension that arises between industrial elements and artisanal procedures. Through different formats, he explores the potential of disposable and poor materials to think and create from their own connotations, inverting or disabling.

Pardo Puch seeks and extends these moments of repetition, of insistence, which often occur with the use of geometry. In these physical processes, in the trance of his own elaboration, of contact with the material, Pardo Puch finds a self-absorbed distance where ideas emerge, conceiving the process itself as a form of channelling.

Graduate in Fine Arts by UCM (2014). Graduated in Master in Contemporary Art History and Visual Culture by UAM and UCM (2017). Higher Studies in Graphic Design at Escuela de Arte 10, Madrid (2010). Erasmus at Duperré Art School, Paris (2009). 

Solo exhibitions: Bajo el cielo de la noche, Luis Adelantado, Valencia (2023); A Strange Fairytale, Pradiauto, ArteSantander (2023); Metal Heart: Lo que pesa, Departamento, Bilbao (2023); La Espera, Pradiauto, Madrid (2022).

Her work was exhibited at Sant Andreu Contemporani, Barcelona (2023); AIR Munich, Germany (2022), Pradiauto, Madrid (2022, 2021); Aragon Park, Madrid (2021); Matadero, Madrid (2020); Sala de Arte Joven, Madrid (2020); INJUVE, Madrid (2017); XVII Premio Joven Artes Plásticas UCM, Madrid (2016).

She was selected for GlogauAIR, Berlín (January- June 2024); Miquel Casablancas Prize, Barcelona (2024); Villa Bergerie residency by Pollock-Krasner Foundation, Huesca (2023); AIR Munich (2022); Centro de Residencias Artísticas Matadero, Madrid (2020); XXIX Circuitos de las Artes Plásticas Comunidad de Madrid (2018); CALL XX, Luis Adelantado, Valencia (2018); Nada Sobra, Second Acquisition Prize, Universidad Nebrija, Madrid (2017).

She gave a workshop at Centre Pompidou, Malaga (2023). She participated in Programa Chimenea, La Casa Encendida (2017). She self-published fanzines participating in Picnic Session, CA2M (2017).