Christine Van Assche is a contemporary art historian, curator, and critic specializing in audiovisual art. As the Chief Curator at Centre Pompidou between 1982 and 2013, she built up the institution’s first video and new media art collection, featuring 1,600 works including those by David Claerbout, James Coleman, Stan Douglas, Valie Export, Esther Ferrer, Jean-Luc Godard, Douglas Gordon, Mona Hatoum, Pierre Huyghe, Isaac Julien, Mike Kelley, Chris Marker, Tony Oursler, Nam June Paik, Pipilotti Rist, etc. She curated a number of thematic exhibitions such as Passages des l’image in 1990, Sonic Process in 2000, Vidéo, un art, une histoir that toured internationally between 2005 and 2012, Une vision du monde. La collection des Lemaître in 2006, Video Vintage in 2012 and 2013, as well as numerous solo exhibitions accompanied by catalogs devoted to artists such as Nam June Paik, Tony Oursler, Mona Hatoum, Johan Grimonprez, Douglas Gordon, James Coleman, Chris Marker, Bruce Nauman, Pierre Huyghe, Ugo Rondinone, Isaac Julien, among others.
Last update: November 11th, 2019
Théo-Mario Coppola is a curator and arts writer. They are currently based in Paris, France.
Théo-Mario Coppola has contributed to catalogues, magazines and online publications. They regularly lecture on radical aesthetic practices at art schools and universities.
Last update: November 17th, 2022
Curator
Sonia Fernández Pan is a (in)dependent curator, art writer and researcher. Author of esnorquel since 2011, a personal project in the form of an on-line archive with podcasts, texts and written conversations, where the need – and desire – to think with others can be put into practice. Among her recent curated projects are As if we could scrape the color of the iris and still see (Twin Gallery, Madrid, 2018), CHRONO-MATTER Objects are closer than they appear (Efremidis Gallery, Berlin, 2019) and the one-year curatorial programs The more we know about them, the stranger they become (Arts Santa Mònica, Barcelona 2017) and Mirror becomes a razor when it’s broken (CentroCentro, Madrid, 2018-19). Since 2018 she is co-curator of You Got To Get In To Get Out (La Casa Encendida Madrid), a research on the experience of techno music from an experiential, discursive-visceral, political and material perspective. Since the pandemic she hosts the podcast series Feminism Under Corona for Institute Kunst (Basel) and Corona Under the Ocean for TBA21Academy & Institute Kunst. Lives and works in Berlin.