Modos de curar la imagen en movimiento
22 — 24 May 2017
— A workshop curated by Antoni Pinent
- Curators
- Antoni Pinent
- Venue
- BAU, Centre Universitari de Disseny de Barcelona
- A project by
- BAU and LOOP
- Contributor
- Made possible with the contribution of BAU, Centro Universitario de Diseño de Barcelona
- Price
- 125 €
- Tickets & register
-
To register to the seminar, please send your CV and cover letter to Antoni Pinent: antonipinent@gmail.com
If you are a student at BAU, you might as well apply by using the following link: https://goo.gl/j8iDaS - Language
- Spanish
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On the occasion of their first collaboration, BAU and LOOP present 'Modos de curar la imagen en movimiento', a three-day seminar around the complex universe of the moving image curated by Antoni Pinent.
Download the seminar’s programme and the related bibliography here
This seminar will offer a possible itinerary through the history of the moving image, as it simultaneously inhabits both the conventional space of the “dark room” and the so-called “white cube”. The goal, however, is not to establish a confrontation of moving images as “black box” vs.”white cube”, but rather to outline a possible symbiosis of the multiple display proposals that can exist.
Curator and film curator Antoni Pinent will lead the seminar and use such proposals to exemplify, illustrate and reflect on possible ways of curating the moving image. He will also reference the work of other curators and film curators, through emblematic exhibitions and film programs that marked or influenced their way of understanding the exhibition / exhibition of moving image in the context of contemporary art, and left an in important mark in the history of curating.
The seminar will be conceived as a meeting place where to exchange ideas and generate an open dialogue among experts or newcomers in the field. The three sessions – which will be conducted in Spanish – will take place between 9.30 am and 2 pm every morning, and they will be followed by a series of screenings or guided tour to the exhibitions featured in the LOOP Festival’s programme.
PROGRAMME:
22 - 5 - 2017
- 9.30 am - 2 pm (30 minute break)
- Daily session and masterclass led by Antoni Pinent
- 6 pm - 12 am
- Film marathon: 'Paul McCarthy (video performances from the 1970s and 1980s)', at Aribau Multicines
23 - 5 - 2017
- 9.30 am - 2 pm (30 minute break)
- Daily session and masterclass led by Antoni Pinent
- Throughout the afternoon
- Guided tour to one or more of the exhibitions featured in teh Festival's programme
24 - 5 - 2017
- 9.30 am - 2 pm (30 minute break)
- Daily session and masterclass led by Antoni Pinent
- 5 - 7 pm
- 'Looking the Mirror, I See Me' (early women's video art from the Video Data Bank Collection) at MACBA
Antoni Pinent
Antoni Pinent is an independent curator of contemporary art and an experimental filmmaker whose work has been presented in different cinematheques, cultural centers and international museums such as the MoMA of San Francisco (2012). With retrospectives of his work in several countries including Argentina (BIM, 2012), Brazil (DOBRA, 2015) or Spain (Xcèntric, MUSAC, etc. 2014). He is PhD in Fine Arts by the Universidad de Barcelona (UB, 2009-2016); Master degree in Education and Visual Arts (UB 2008-2009); Degree in Art History (UB, 1996-2001) he also got a qualification in Film by SAROBE (San Sebastián, Spain, 1994-1996). He received the 2nd Biennial of the Museum of Contemporary Cinema (MoCC, New York / Paris) in 2008 as well as other prizes and distinctions in the field of filmography. Since 2014 he has been working in the curatorial group of the Los Angeles Film Forum on the project ‘Ismo Ismo Ismo. Experimental Cinema in Latin America’. For Pacific Standard Time: L.A./L.A., Filmforum (it will be presented in September 2017 in Los Angeles, as a film program accompanied by an English-Spanish catalog publication and edited by California University Press). This project has received a grant from the Los Angeles Getty Foundation, the fellowship ‘The Andy Warhol Foundation for Visual Arts’ and ‘Mike Kelley Foundation’.
Last update: April 26th, 2017
