A new digital wave is coming. Nowadays, online platforms and programs are indisputably the very interfaces of museums, fairs, festivals, and all cultural entities: the pandemic made it just more evident. How can the Internet be an artistic environment? How can the images move online overcoming promotional formats? Everything should be curated!
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Visual artist and curator. Her practice investigates the conditions engendered by interpretation; how objects and ideas undergo status changes and exist within different realities and interpretations simultaneously. In her work the essential quality of things and their existence within newly created frames of reference is questioned. She is the co-founder of the Plicnik Space Initiative, an online experimental curatorial project showcasing over 20 artists’ works. She has previously organised and participated in shows in independent artist venues (Unstable Grounds: 37 Warren Street, 2016) and established art galleries (Counterfeit: Bermondsey project space, 2018).
Last update: November 16th, 2020
Visual artist whose practice explores notions of authenticity and the complexities of authority. This generally involves the deconstruction of power structures through the emulation of their modus operandi. Melle has previously exhibited works in the United States of America, the Netherlands, Italy and the United Kingdom. As a curator Melle Nieling co-founded the experimental curatorial platform Plicnik Space Initiative.
Last update: November 16th, 2020
Mario Santamaría works across a wide range of media, frequently using photography, video, performance, websites and online interventions. In recent years his work focuses on tactics to embody distribution protocols, performing actions such as physically travelling to his website by repeating the data path; going for beers around the city as a Google algorithm or founding a tour operator based on the Internet physical infrastructure. His work has been shown among others in: ZKM Karlsruhe, WKV Stuttgart, MACBA Barcelona, CENART Mexico, Arebyte London, Les Rencontres d’Arles and C/O Berlin.
Last updated: 11th November, 2022
Last update: 16th November, 2020
Oliver Ressler, born 1970 in Austria, is an artist and filmmaker who produces installations, projects in public space, and films on issues such as economics, democracy, migration, the climate crisis, forms of resistance and social alternatives. Ressler has had solo exhibitions at Berkeley Art Museum, USA; Museum of Contemporary Art, Belgrade; Centro Cultural Conde Duque, Madrid; Alexandria Contemporary Arts Forum, Egypt; The Cube Project Space, Taipei; Kunsthaus Graz, Graz and comprehensive solo exhibitions at Wyspa Institute of Art, Gdansk; Lentos Kunstmuseum, Linz; Centro Andaluz de Arte Contemporaneo – CAAC, Seville; SALT Galata, Istanbul; MNAC – National Museum of Contemporary Art, Bucharest; and Cultural Centre of Belgrade.
Ressler has participated in more than 400 group exhibitions, including Museo Reina Sofía, Madrid; Van Abbe Museum, Eindhoven; MASSMoCA, North Adams, USA; Centre Pompidou, Paris; CCK, Buenos Aires; the biennials in Prague (2005), Seville (2006), Moscow (2007), Taipei (2008), Lyon (2009), Gyumri (2012), Venice (2013), Athens (2013, 2015), Quebec (2014), Helsinki (2014), Jeju (2017), Kyiv (2017), Gothenburg (2019) and Stavanger (2019), and at Documenta 14, Kassel, 2017 (exhibition organized by EMST).
Photo: Lineematiche, Luca Guadagnini
Last update: 16th November, 2020
Carles Guerra is an artist, art critic and independent curator. He holds a PhD from Universitat de Barcelona. He studied at the Faculty of Fine Arts, Universitat de Barcelona and the Media Studies Department, The New School for Social Research. His most recent profile has been associated with outstanding positions in the field of cultural management, cultural policies and curatorial activities. He has been Director of Primavera Fotogràfica de Catalunya, Director of the Virreina Centre de la Imatge, Chief curator at Museu d’Art Contemporani de Barcelona MACBA and, from 2015 through 2020, Executive director at Fundació Antoni Tàpies.
On top of a vast number of monographic exhibitions devoted to individual artists such as Ahlam Shibli, Art & Language, Allan Sekula, Susan Meiselas, Harun Farocki, Oriol Vilanova and Ariella Aïsha Azoulay, he has curated projects like 1979. A Monument to Radical Instants and Antoni Tàpies. Political Biography.
Last update: 16th November, 2020
Vanina Saracino (she/they) is an independent curator, film programmer, writer, and lecturer.
Her work focuses on theories and art practices that explicitly question anthropocentric and binary worldviews from an intersectional perspective, with an emphasis on lens-based and time-based art. Her latest project, Other Minds, is the fourth edition of the Screen City Biennial (curated with Daniela Arriado), which took place at the astronomical observatory Archenhold Sternwarte and other venues in Berlin in 2022.
Since 2021, Saracino has been teaching at the Institute of Time-based Art – IZM, Universität der Künste (UdK) in Berlin, with Prof. Nina Fischer. She has collaborated with Kumu Art Museum and EKKM (Tallinn), Teatrino di Palazzo Grassi (Venice), TBA21 – Academy, Cinemateca Brasileira (São Paulo), Cinemateca do MAM (Rio de Janeiro), Palais de Tokyo (Paris), Salzburger Kunstverein (Salzburg), The EYE Film Institute (Amsterdam), and Centro Párraga (Murcia), among others. Saracino has realized residencies at ISCP (New York, 2023), Q21 – MuseumsQuartier (Vienna, 2021), Fire Station Artists’ Studios (Dublin, 2019), CPR – Curatorial Program for Research (Reykjavik, Tórshavn, Tromsø, Boden, Luleå, Hyrynsalmi, Helsinki, 2018), and GENERATOR – 40mcube/EESAB (Rennes, 2018). Graduated in Communication Sciences, Saracino holds an MA in Arts Management (GIOCA, Università di Bologna) and in Philosophy and Art Theory (UAB, Universidad Autónoma de Barcelona). She has been a member of IKT since 2015.
Last update: 17th November , 2023
Salma Tuqan is a Contemporary Art and Design curator and cultural strategist. She is Deputy Director of Delfina Foundation, a non-profit inter-disciplinary foundation dedicated to artistic exchange through global residencies, exhibitions, commissions and public programming. Prior to this, she held the inaugural role of Contemporary Middle East curator at the V&A where she helped shape programming and laid the foundation for its permanent Contemporary Arab art and design collection.
Last update: November 16th, 2020