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Moving Online.

Wednesday 18 November 2020, 10:30 am — 12 pm

Moving Online.
Participants
Andrea Bellini, Amelie Mckee, Melle Nieling, Joe Sweeney, Mario Santamaria, David Gryn, Oliver Ressler, Carles Guerra, Vanina Saracino and Salma Tuqan
Moderator
Francesco Urbano Ragazzi
Date and hours
Wednesday 18 November 2020, 10:30 am — 12 pm Add to calendar
Additional info
Online

A new digital wave is coming. Nowadays, online platforms and programs are indisputably the very interfaces of museums, fairs, festivals, and all cultural entities: the pandemic made it just more evident. How can the Internet be an artistic environment? How can the images move online overcoming promotional formats? Everything should be curated!

Andrea Bellini

Participant
Andrea   Bellini

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Amelie Mckee

Participant
plicnik.space
Amelie Mckee

Visual artist and curator. Her practice investigates the conditions engendered by interpretation; how objects and ideas undergo status changes and exist within different realities and interpretations simultaneously. In her work the essential quality of things and their existence within newly created frames of reference is questioned. She is the co-founder of the Plicnik Space Initiative, an online experimental curatorial project showcasing over 20 artists’ works. She has previously organised and participated in shows in independent artist venues (Unstable Grounds: 37 Warren Street, 2016) and established art galleries (Counterfeit: Bermondsey project space, 2018).

 

Last update: November 16th, 2020

Melle Nieling

Participant
Melle  Nieling

Visual artist whose practice explores notions of authenticity and the complexities of authority. This generally involves the deconstruction of power structures through the emulation of their modus operandi. Melle has previously exhibited works in the United States of America, the Netherlands, Italy and the United Kingdom. As a curator Melle Nieling co-founded the experimental curatorial platform Plicnik Space Initiative.

 

 

Last update: November 16th, 2020

Joe Sweeney

Participant

1991

Joe   Sweeney
Joe Sweeney works with a visual language created through British idiosyncrasies, everyday references and the banal, commenting on our fast changing times by elevating the throw away. Through quick observation, the artist encourages a pause for thought on the daily interactions that we don’t always pay attention to. Playing with Britain’s passion for nostalgia, he often creates morbid but humorous work through sculpture, print and installation.
His most recent project ‘+44 leave a Message for Europe’ was centred around live web cam stream of a sculpture of a telephone box installed on Dungeness beach, Kent. The public were invited to call the sculpture online, no matter what their opinion, and leave their voice messages for Europe during the 28 day lead up to Britain’s original departure date from the EU, 29th March 2019. The project was extended into April and the full archive of voice messages is available to listen to at Leaveamessage4europe.com with an accompanying short film of the project ’28 Days in march…’ due to be released in October 2019.
‘His humour is a squeeze of lemon juice in a paper cut you didn’t know you had- he’s not mean but my god his euphemisms, puns, jokes and harsh realties are so nail bitingly close to the bone it makes you want to be vegan. Joe is a one-man band and where there is a fine line between inspiration and obsession and Joe and his work strides over it, sits on top of it and plays with it like a cat does a mouse. He can capture the sights that wonder by us daily unnoticed and forgotten, from seaside Britain in the 70’s to “U OK HUN??” millennials of the now, his work is frighteningly of the now with scratchy echo’s of the past too.’ – Harriet Verney, Love Magazine
Joe Sweeney (lives and works in London) graduated from Chelsea College of Art in 2013. Recent solo exhibitions include ‘+44 Leave a Message for Europe’, Dungeness Beach, Kent (2019) ‘Loose Change’, Cob Gallery, London (2017); and ‘Take Away’, Cob Gallery, London, UK (2016). The artist has also participated in numerous group shows including ‘An Exquisite Mess’, curated by India Dickinson, London (2018); ‘FOURTH’, London, UK (2016); and ‘Quality Produce’, London (2016).
Last update: 16th November, 2020

Mario Santamaria

Artist, Participant

1985, Burgos

Mario Santamaria

Mario Santamaría works across a wide range of media, frequently using photography, video, performance, websites and online interventions. In recent years his work focuses on tactics to embody distribution protocols, performing actions such as physically travelling to his website by repeating the data path; going for beers around the city as a Google algorithm or founding a tour operator based on the Internet physical infrastructure. His work has been shown among others in: ZKM Karlsruhe, WKV Stuttgart, MACBA Barcelona, CENART Mexico, Arebyte London, Les Rencontres d’Arles and C/O Berlin.

Last updated: 11th November, 2022

 

David Gryn

Moderator, Participant
tps://daata.art
David Gryn
David Gryn is the Founder and Director of Daata, and from 2010-2017 David was Curator of Film & Sound at Art Basel in Miami Beach. David is a worldwide leader in producing, curating, enabling and promoting artists’ audio visual/digital medium projects and events that have consistently excited and attracted large audiences, the artworld and introduced new audiences to the arts. Launched in 2015, Daata commissions artist’s digital media. This new, logical and innovative way to collect and stream art is designed as a native platform to a new generation of artists who work with moving image and sound. Limited edition artworks can be streamed online and acquired as digital downloads. Daata Artists, Fair, Galleries, Streaming, Playlists, TV at https://daata.art @daata.art 

Last update: 16th November, 2020

Oliver Ressler

Artist, Participant
www.ressler.at

1970, Knittelfeld

Oliver Ressler

Oliver Ressler, born 1970 in Austria, is an artist and filmmaker who produces installations, projects in public space, and films on issues such as economics, democracy, migration, the climate crisis, forms of resistance and social alternatives. Ressler has had solo exhibitions at Berkeley Art Museum, USA; Museum of Contemporary Art, Belgrade; Centro Cultural Conde Duque, Madrid; Alexandria Contemporary Arts Forum, Egypt; The Cube Project Space, Taipei; Kunsthaus Graz, Graz and comprehensive solo exhibitions at Wyspa Institute of Art, Gdansk; Lentos Kunstmuseum, Linz; Centro Andaluz de Arte Contemporaneo – CAAC, Seville; SALT Galata, Istanbul; MNAC – National Museum of Contemporary Art, Bucharest; and Cultural Centre of Belgrade.
Ressler has participated in more than 400 group exhibitions, including Museo Reina Sofía, Madrid; Van Abbe Museum, Eindhoven; MASSMoCA, North Adams, USA; Centre Pompidou, Paris; CCK, Buenos Aires; the biennials in Prague (2005), Seville (2006), Moscow (2007), Taipei (2008), Lyon (2009), Gyumri (2012), Venice (2013), Athens (2013, 2015), Quebec (2014), Helsinki (2014), Jeju (2017), Kyiv (2017), Gothenburg (2019) and Stavanger (2019), and at Documenta 14, Kassel, 2017 (exhibition organized by EMST).

Photo: Lineematiche, Luca Guadagnini

Last update: 16th November, 2020

Carles Guerra

Curator, Moderator, Participant, Speaker
Carles Guerra

Carles Guerra is an artist, art critic and independent curator. He holds a PhD from Universitat de Barcelona. He studied at the Faculty of Fine Arts, Universitat de Barcelona and the Media Studies Department, The New School for Social Research. His most recent profile has been associated with outstanding positions in the field of cultural management, cultural policies and curatorial activities. He has been Director of Primavera Fotogràfica de Catalunya, Director of the Virreina Centre de la Imatge, Chief curator at Museu d’Art Contemporani de Barcelona MACBA and, from 2015 through 2020, Executive director at Fundació Antoni Tàpies.

On top of a vast number of monographic exhibitions devoted to individual artists such as Ahlam Shibli, Art & Language, Allan Sekula, Susan Meiselas, Harun Farocki, Oriol Vilanova and Ariella Aïsha Azoulay, he has curated projects like 1979. A Monument to Radical Instants and Antoni Tàpies. Political Biography.

Last update: 16th November, 2020

Vanina Saracino

Curator
www.vaninasaracino.com

1984

Vanina Saracino

Vanina Saracino (she/they) is an independent curator, film programmer, writer, and lecturer.

Her work focuses on theories and art practices that explicitly question anthropocentric and binary worldviews from an intersectional perspective, with an emphasis on lens-based and time-based art. Her latest project, Other Minds, is the fourth edition of the Screen City Biennial (curated with Daniela Arriado), which took place at the astronomical observatory Archenhold Sternwarte and other venues in Berlin in 2022.

Since 2021, Saracino has been teaching at the Institute of Time-based Art – IZM, Universität der Künste (UdK) in Berlin, with Prof. Nina Fischer. She has collaborated with Kumu Art Museum and EKKM (Tallinn), Teatrino di Palazzo Grassi (Venice), TBA21 – Academy, Cinemateca Brasileira (São Paulo), Cinemateca do MAM (Rio de Janeiro), Palais de Tokyo (Paris), Salzburger Kunstverein (Salzburg), The EYE Film Institute (Amsterdam), and Centro Párraga (Murcia), among others. Saracino has realized residencies at ISCP (New York, 2023), Q21 – MuseumsQuartier (Vienna, 2021), Fire Station Artists’ Studios (Dublin, 2019), CPR – Curatorial Program for Research (Reykjavik, Tórshavn, Tromsø, Boden, Luleå, Hyrynsalmi, Helsinki, 2018), and GENERATOR – 40mcube/EESAB (Rennes, 2018). Graduated in Communication Sciences, Saracino holds an MA in Arts Management (GIOCA, Università di Bologna) and in Philosophy and Art Theory (UAB, Universidad Autónoma de Barcelona). She has been a member of IKT since 2015.

 

Last update: 17th November , 2023

Salma Tuqan

Participant
salmatuqan.com
Salma Tuqan

Salma Tuqan is a Contemporary Art and Design curator and cultural strategist. She is Deputy Director of Delfina Foundation, a non-profit inter-disciplinary foundation dedicated to artistic exchange through global residencies, exhibitions, commissions and public programming. Prior to this, she held the inaugural role of Contemporary Middle East curator at the V&A where she helped shape programming and laid the foundation for its permanent Contemporary Arab art and design collection.

Last update: November 16th, 2020