Original Content is constantly being digitally updated nowadays, we are first online. In that sense “web” stands for a new set of realities currently in progress.
How the Internet is an audiovisual space under construction that is public, connected and live? How does it build up context(s)?
Maria Escobedo is a cultural producer and director of projects of innovation based on technologies of online video since 1998.
In her role as founder of Livemedia, Maria has made artistic projects with CICV Pierre Schaeffer, France, and the Centro Multimedia of CENART in Mexico.
She has promoted projects of cooperation and culture for development in Latin America with governmental institutions of Bolivia, Ecuador, Mexico, Perú and Spain in collaboration with the intergovernmental organisations UNESCO and OEI. She has worked with universities in all these countries, Cuba, El Salvador, and Spain.
Maria is the author of the book “Albert Vidal: The videographic medium and the telluric body”, published in 2018 by Diputació de Barcelona.
She is the director of the event </CODE±NOWNESS> in Fabra i Coats – Fàbrica de Creació and Center of Art of Barcelona
Last update: November 11th, 2019
Fito Conesa studied Fine Arts at the University of Barcelona, the city where he lives and works. With a multifaceted work that encompasses installation, video and sound exploration, some of his works are conceived as an exhibition of the artist himself and his geographical context of origin; others incorporate different elements of cultural history and the contemporary world; and others dissect the everyday.
Since 2008, he has exhibited in spaces such as the Aparador del Museu Abelló in Mollet del Vallès (2008), CaixaForum in Tarragona (2009), Centro Cultural Español in Santo Domingo, Dominican Republic (2014), La Naval in Cartagena (2015) and Espai 13 at the Fundació Joan Miró in Barcelona (2018). His work can be found in collections such as the Fundació Banc Sabadell, the University of Granada, the City Council of Valls and MACBA in Barcelona.
Serafín Álvarez is an artist, researcher and educator. His work entails collecting images, organise them, relate them to one another, ruminate them: imagining other worlds using them as a starting point, building those worlds and contemplating them. These processes are usually motivated by a keen interest on how we relate to the unknown, how we study it and how we represent it.
Last update: November 11th, 2022
Gabriella Torres-Ferrer lives and works in Barcelona and San Juan.
A multimedia artist and researcher. She has an architecture BA from the Polytechnic University of Puerto Rico. Her work has been selected and featured nationally and internationally including the Occupy Museum’s 2017 participation at the Whitney Museum of American Art (New York), El Museo del Barrio and online at The Wrong New Digital Art Biennale. In 2019 she participated in the Scaleability Project at A.I.R. cooperative feminist art collective (New York), This Synthetic Moment (The Replicant) at Phillip Martin gallery (Los Angeles), XYXX010101000 at Curro gallery (Mexico) and Stage of Maneuvers at Gianni Manhattan (Vienna). In 2012 she was a fellow in Beta Local (San Juan) and for 2020 she’s got the CERN’s (Genève) guest artists prize and also won the Akademie Schloss Solitude international Artist-in-Residence fellowship around the topic “Mutations” (Stuttgart).
Last update: November 11th, 2019
Lúa Coderch combines narrative and objectual practices in videos, performances, and installations which she configures as research devices. Her work focuses on the superficial, aesthetic and phenomenological dimension of our shared life and its latent philosophical and political implications. Among her exhibitions it is worth noting Vida de O (CentroCentro, Madrid); [Shelter], Fundación BBVA (Madrid), 2018; The Girl With No Door On Her Mouth, Àngels Barcelona, 2018; [Shelter] As long as summer lasts, The Ryder (London), 2018; Souvenir (Onyx), Art institute Vienna, 2017; The Rainbow Statement, BGW (Barcelona), 2016; Night in a Remote Cabin Lit by a Kerosene Lamp, Àngels Barcelona, 2015; Oro, Fundació Suñol (Barcelona), 2014; La parte que falta, Bacelos (Madrid), 2014 and La montaña mágica, Fundació Joan Miró (Barcelona), 2013.
Last update: November 11th, 2019
Cristina Goberna Pesudo is a practitioner architect, educator, and critic. She is the founder partner of Epic Architecture and Fake Industries, Architectural Agonism (FKAA). FKAA is an architectural practice of horizontal structure and collaborative nature which has been awarded the AIA New Voices Award, The Architectural League Young Architects Forum, Europan 7,8, 9, 10, the international competition for a new velodrome for Medellin and which was finalist in Moma PS1 YAP, Art Basel Miami and the Guggenheim Helsinki competitions. FKAA’s work has been widely exhibited internationally and is in the permanent collection of the Pompidou Centre in Paris and the Chicago Art Institute. As a Fulbright Scholar Cristina was awarded an MS. in Advance Architectural Design (AAD) and an Advance Architectural Research (AAR) certificate by GSAPP at Columbia University. She is a Ph.D. candidate in the School of Architecture of Barcelona and at the Switzerland based European Graduate School in the Philosophy and Critical Thought program. She has been jury in the Architectural League Prize Young Architect Forum, MoMa PS1 YAP, and Europan Norway. She has held academic positions at Columbia University, Sydney UTS, MIT and Cooper Union. She currently coordinates Undergraduate Thesis in Cooper Union and is a Fellow in the New Museum Columbia University New Incubator Program in New York.
Last update: November 11th, 2019