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“Soundtrack to a Coup d’Etat” by Johan Grimonprez

Friday 22 November 2024, 9:30 pm

— Screening and conversation with curators Carles Guerra and Pascale Cassagneau (CNAP)

“Soundtrack to a Coup d’Etat” by Johan Grimonprez
Speakers
Pascale Cassagnau and Carles Guerra
Venue
Zumzeig
A project by
Loop Festival
Date and hours
Friday 22 November 2024, 9:30 pm Add to calendar

Soundtrack to a Coup d’Etat

Johan Grimonprez

2024 | Belgium, France, Netherlands | 150 min.

A monumental and innovative history lesson set to a jazz rhythm, exploring the social upheavals of the 1960s, the Cold War, Africa’s decolonization, and how the CIA and the Belgian monarchy orchestrated the assassination of Patrice Lumumba, the Prime Minister of the Congo, using legendary jazz musicians as a distraction. The political significance and music of African American artists like Dizzy Gillespie, Nina Simone, Max Roach, and Abbey Lincoln, as well as Congolese musicians such as Adou Elenga and Joseph Kabasele, piece together a bloody and captivating puzzle.

On November 22, curators Carles Guerra and Pascale Cassagneau (CNAP) will host a dialogue about the film.

Featured: Miriam Makeba, Andrée Blouin, Nikita S. Khrushchev, Patrice Lumumba, Allen Dulles, Paul-Henri Spaak, In Koli Jean Bofane, Krishna Menon, Malcolm X, Max Roach, Abbey Lincoln, Louis Armstrong, Dizzy Gillespie, Nina Simone, Thelonious Monk, Docteur Nico, Joseph Kabasele.

Pascale Cassagnau

Curator, Speaker
Pascale Cassagnau

Pascale Cassagnau holds a PhD in Art History and Criticism and is responsible for the audiovisual and new media collection at the CNAP (Centre national des arts plastiques, Paris). She writes extensively for Art Press and is the author of texts on artists such as Chris Burden, James Coleman, John Baldessari, Pierre Huyghe, Dominique Gonzalez-Foerster and Matthieu Laurette, among others. She is mainly interested in the study of new film practices and their cross-over with contemporary art. Her essay “Future Amnesia, Enquêtes sur un troisième cinéma” (Ed. Isthmus, 2006) investigates new filmic forms, existing between fiction and documentary. “Un pays supplémentaire” (Ed. Ecole nationale supérieure des Beaux-Arts de Paris, 2010) focuses on contemporary creation in the media architecture. Her book, “‘Apichatpong Weerasethakul,’ Une théorie des objets personnels” was released as an e-book in 2016. Her essay “Diagramme Monteiro, on Joao Cesar Monterio, was written in collaboration with Hughes Decointet and published in Editions de L’Oeil in 2017. Her essays “La répétition générale,” — a work on the processes of creation and research in the fields of cinema, contemporary art — and “Dispositifs-jeux” — on Jean Frapat, inventor of television devices — are currently in progress.

Last update 9th March 2017

Carles Guerra

Curator, Moderator, Participant, Speaker
Carles Guerra

Carles Guerra is an artist, art critic and independent curator. He holds a PhD from Universitat de Barcelona. He studied at the Faculty of Fine Arts, Universitat de Barcelona and the Media Studies Department, The New School for Social Research. His most recent profile has been associated with outstanding positions in the field of cultural management, cultural policies and curatorial activities. He has been Director of Primavera Fotogràfica de Catalunya, Director of the Virreina Centre de la Imatge, Chief curator at Museu d’Art Contemporani de Barcelona MACBA and, from 2015 through 2020, Executive director at Fundació Antoni Tàpies.

On top of a vast number of monographic exhibitions devoted to individual artists such as Ahlam Shibli, Art & Language, Allan Sekula, Susan Meiselas, Harun Farocki, Oriol Vilanova and Ariella Aïsha Azoulay, he has curated projects like 1979. A Monument to Radical Instants and Antoni Tàpies. Political Biography.

Last update: 16th November, 2020