A translation of a meeting that thinks carefully. You read between the lines, you look into his eyes, he listens intently to the crunch of the surroundings. A sketch, from the most mundane, of a meeting, physical, reflective, symbiotic and situated.
A passage of pages as versions of stories that are contained in their simplicity, in their duration and continuity. A space to become what is suggested in each step. An acceptance of the proposal of subjectivity, updating over and over again the way in which what is presented to us is received, updating each gesture and its pulse, in the fabric of string figures. Recognizing us in the condition of intertwined trail walkers.
Filmmaker, artist and anthropologist (Caracas, 1981). Her work embraces the materiality and immateriality of film, moving between analog photochemical and video formats, as single-channel projection, filmic performance and installation. Her expanded cinema pieces travel through ceremonial and phenomenological forms, questioning identity in relation to the changing world, the transformation of states of consciousness, between poetics and politics. Co-founder of the analog and independent film laboratory Crater-Lab in Barcelona, currently resident at Hangar. She has screened her work in numerous festivals and art spaces around the world including IFFR Rotterdam Film Festival, Oberhausen IFF, Edinburgh International Film Festival, Cinema Arts, Primavera Sound, Centro de Arte Santa Monica, La Virreina, Museo de Bellas Artes de Caracas, Museo de Arte Moderna da Bahia, FID Marseille, Margaret Mead Film Festival, Microscope Gallery NY, Crossroads SF MoMa, among others.
Works mainly in video and video installation. His work has been exhibited in solo exhibitions at the Joan Miró Foundation and La Capilla, Barcelona, Spain; and in group exhibitions at the MoCA Taipei, Taiwan; Lissone Museum of Contemporary Art, Italy; MHKA, Antwerp, Belgium; Naturgy Foundation, A Coruña, La Panera Art Center, Lleida; Center for Contemporary Art in Quito, Ecuador; Sala Amadís, Madrid; B’Chira Art Center, Tunisia, and Fran Reus Gallery, Mallorca, among others. He has completed postgraduate studies at HISK, and is currently studying artistic research at Lund University, Sweden. His works are part of the Han Nefkens Foundation and the Naturgy Foundation.
PhD and degree in Art History from the Autonomous University of Barcelona, studies at Sotheby’s Educational Studies, London, “Master in Cultural Management” and Postgraduate Diploma in “Cultural Management and Policies” from the University of Barcelona.
From his professional beginnings until today, he has combined curatorial practice with research and publication in specialized journals. Recently, he curated the re-enactment project-essay at the Casa de Cultura de Girona (2021-22); has collaborated in the exhibition “Action. A Provisional History of the 90s” at the MACBA (2020); since 2012 he has directed the ARBAR Art and Culture Center (Association for Biocultural and Artistic Research of the Sierra de Rodes), the Santa Creu Valley, the Port de la Selva, Girona; and,co-directs Fugas e interferencias- Performance Art Conference held by the CGAC of Santiago de Compostela, with the support of the University of Vigo (2016-present).