Practicing lawyer in Barcelona since 1980. Enric Enrich represents Spanish and foreign clients involved in the different sectors of the creative industries: film and television, music, visual arts, publishing, sports and media, dealing with matters related to negotiation and drafting of contracts and conflict resolution. He currently works in his own firm Enrich Advocats and focuses on general business practice and entertainment law, specialized in private international law, copyright and entertainment as well as personal image rights, on which matters he lectures, writes and practices as a lawyer.

Last update: May 5th, 2015

Anna Manubens is the director of Hangar, a center for artistic research and production in Barcelona and a professor at the Elías Querejeta Zine Eskola in San Sebastian.
Previously she was an independent curator and producer with a preference for hybrid roles at the intersection between writing, research, programming, project accompaniment, institutional analysis and exhibitions. Until 2017 she was Head of Public Programs at the CAPC musée d’art contemporain de Bordeaux and previously combined her freelance activity with teaching at the Universitat Pompeu Fabra and a regular job at the artist-run Auguste Orts (Brussels) dedicated to the production of, and thinking around, artists’ films. With them she directed the European project On & For production designed to facilitate the realization of audiovisual works through the implementation of new frameworks and professional exchange.
Her recent exhibitions include Luz Broto, Ponerse en el lugar del otro (Museu de Granollers, 2021-22), A L I E N T O (NoguerasBlanchard, Barcelona, 2020-2021); Wendelien van Oldenborgh. Tono lengua boca (Centro de Arte Dos de Mayo, Madrid, 2019 and Centre d’Art Contemporani Fabra i Coats, 2020); Alex Reynolds: Safe, Safe, safe, the pulse of the house beat softly (La panera, Lleida, 2020); entre, hacia, hasta, para, por, por, según, sin (EACC, Castellón, 2019); Visceral Blue (La Capella, Barcelona, 2016); Hacer cuerpo con la máquina: Joachim Koester (Blue Project Foundation, Barcelona, 2016) and Contours of the Audiovisual with Soledad Gutiérrez (Tabakalera, San Sebastián, 2015).
She was artistic director of the LOOP festival in the 2011 and 2012 editions and with Hamaca developed Apología/Antología, an online editorial project that analyzes and gives access to 60 years of art in film and video in the Spanish state.
He has written in several catalogs and magazines about production or about the work of artists such as Luz Broto, Lucía C. Pino, Laida Lertxundi, Pauline Julier, Alex Reynolds, Adrian Schindler or Wendelien van Oldenborgh.

Last update: 11th November, 2022

Collector, Vocal and Vice President of 9915 Asociación de Coleccionistas de Arte Contemporáneo.

May 5th, 2015

Founding co-director of LOOP and Screen Projects. Director of Senda Gallery and Espai2Nou2 Gallery. He has been member of selection committees for different art fairs, such as New Art, ARCO Madrid, PULSE Miami, PULSE New York, Art Brussels, ArtForum Berlin, among others. Since 2007, he is a member of the Culture Council of Barcelona City Council. He has a degree in Geography and History from the University of Barcelona.

Last update: May 5th, 2015

Director of MACBA Foundation, a private not for profit organisation with the specific mission to put together the MACBA Collection of MACBA. Degree in Business Administration, MBA (ESADE, Barcelona) and MA in Museum Management (UPF, Barcelona). After working 15 years as Head of Communication and Marketing in both multinational companies and public institutions, Cristina decided to focus on her passion: contemporary art. In 2013 she joined the MACBA Foundation as Communication and Fundraising Manager, and in 2016 she was appointed Director. During this time, the Foundation has seen a significant increasing in the number of private collaborators, multiplied the sponsorship initiatives and intensified its work of dissemination and promotion of the Collection.

Last update: November 14th, 2018

Prof. Egbert Dommering has been a Professor of Information Law (0,4 Fte) at the University of Amsterdam since 1988 (Director of the Institute for Information Law (IViR). During that period, he continued to work as an advocate. After retirement, he holds the Chair of “Theory of Information Law” at IViR and remained off-counsel at the Amsterdam based Brinkhof law firm, specializing in IP and media. He was member of the Dutch Copyright Commission, the Advisory Board of the Dutch Data Protection Authority and the Commission on human rights. He was the main author of the advise to the Dutch government on internet freedom in 2015, see . Along with his wife he collects modern art, with a focus on video art since 2001 and founded the Dommering Foundation, that supports the newest forms of visual arts, in particular video art.

May 23rd, 2016

Lawyer

Jacqui Davies is a London-based producer and curator.
Since 1997, she has worked internationally with artists on projects involving film and video. Working independently across all platforms she has facilitated projects for television, galleries, site-specific, stage, cinema and online.
In 2007, Davies co-founded Animate Projects, which built on the existing Arts Council England / Channel 4 commissioning programme, ANIMATE! As Head of Production and Gallery Exhibition she commissioned several projects, including A Letter to Uncle Boonmee and Phantoms of Nabua by Apichatpong Weerasethakul (2009), and Unfolding the Aryan Papers by Jane & Louise Wilson (2009).
Between 2011 and 2013, Davies produced 25 artists’ films for Random Acts, Channel 4, which were co-commissioned by FACT, Liverpool.
She also works with Anthony Reynolds Gallery, London, to curate exhibitions of artists working with moving image. She is also a consultant on film and art for Dazed and Confused.

May 12, 2016

Gallerist, Director of Dürst Britt & Mayhew.

Co-founder of Niio, a new distribution and display platform for moving images and new digital art forms, is an award-winning Product and Design expert with 18 years of experience in the worlds of technology, art, design and digital culture where he has consistently driven innovation at the intersection of these worlds.
His career spans both the worlds of Academic and Hitech: He founded the Interactive Design Faculty at Bezalel, Israel’s most prestigious Art & Design Academy. He also founded one of Israel’s leading digital product development consultancies developing solutions for both global corporations and fast growing startups such as MyHeritage and Wix. Oren co-founded Niio out of a deep desire to enable greater exposure and accessibility to the digital art medium. The ‘Niio’ platform offers a comprehensive, end-to-end solution for storing, preserving, securely transferring, monetising and perfectly displaying media art works on any screen or projector device.

May 24th, 2016

Collection Manager and Individual Relationships at MACBA Foundation.

Tobias Arndt started his career in e-commerce both in consulting and publishing (publications e.g. Electronic Marketplaces, Galileo Press, 2000) he moved on to managing a European health federation in the area of rare diseases. With regards to publishing, he currently works on various projects on patient and consumer safety. Arndt collects young contemporary art systematically since 2004. Conceptual photography constitutes one aspect of the collection with works from artists such as Sven Johne and Adrian Sauer, more recent acquisitions are from Viktoria Binschtok Tobias and Lawrence Abu Hamdan. A further focus rests on North American artists such as Matt Saunders and Dasha Shishkin. In recent years Tobias interest moved onto Latin American art (e.g. Tatiana Blass, Carlos Motta, Rita Ponce de Leon, and Edgardo Aragon) and on Video Art with works from artists such as Julia Scher, Dias and Riedweg, Guilherme Peters, Paul Sétubal, Sayre Gomez or Adrian Balseca.

Last update: November 11th, 2019