Cracking a nut is an insignificant, everyday action. Who would think of entertaining us by cracking nuts? But the fact is that in its very humility this action has in itself the ability to deploy the whole structure of a tiny scene, with its own expectations and dénouement. It doesn’t just summons us with the promise of something to eat, but also manages to focus the attention of everyone there on a single point.
Rather than the often unsuccessful pretensions of more ambitious, elaborate stories, Lúa Coderch places herself where small events like this one discreetly seem to offer us a starting point for a movement of restoration, from which to repair the seams of our common life.
In the Fabra i Coats venue, the exhibition shows a series of devices to capture the attention, including a film-curtain, sculptures that might be furniture and a programme of small-scale actions to share with others, like a set of scenes or small units of meaning that could even make up the starting point of a shared narrative.
Lúa Coderch combines narrative and objectual practices in videos, performances, and installations which she configures as research devices. Her work focuses on the superficial, aesthetic and phenomenological dimension of our shared life and its latent philosophical and political implications. Among her exhibitions it is worth noting Vida de O (CentroCentro, Madrid); [Shelter], Fundación BBVA (Madrid), 2018; The Girl With No Door On Her Mouth, Àngels Barcelona, 2018; [Shelter] As long as summer lasts, The Ryder (London), 2018; Souvenir (Onyx), Art institute Vienna, 2017; The Rainbow Statement, BGW (Barcelona), 2016; Night in a Remote Cabin Lit by a Kerosene Lamp, Àngels Barcelona, 2015; Oro, Fundació Suñol (Barcelona), 2014; La parte que falta, Bacelos (Madrid), 2014 and La montaña mágica, Fundació Joan Miró (Barcelona), 2013.
Last update: November 11th, 2019