Nelson Crespo is a visual artist and educator living and working in London, UK. For the last 4 years he has been the Central Saint Martins 4D Coordinator at one of the leading Art and Design Universities in the world. He’s heading up the Digital Media, Film and Video, Animation and CAD departments. Nelson leads a team of digitalspecialists and brings a deep understanding on how to embed digital and emerging technologies in the teaching of contemporary art and design subjects. From 2004 to 2012 he was part of the Collection Care team at the Tate, where he specialized in conservation and display of artworks on paper. Nelson has
exhibited his work in solo and group shows in Europe, Japan and Brazil. In 2012, he was the creator in residency at Tokyo Wonder Site, Tokyo and in 2015 artist in residence at FAAP, São Paulo. From 2007 to 2016 he was a trustee of the London-based artist book publisher Bookworks. Nelson holds a master degree in Fine Art from Camberwell College of Art, UAL, London and a bachelor degree in Fine Art from ESAD Caldas da Rainha, Portugal.

Zena Khan is an independent curator and researcher who is specialising in Malaysian contemporary art and is invested in the formation of canons in emerging art markets, the evolving role of the artist residency and working with female artists. Additionally, she produces research and exhibitions for The Aliya and Farouk Khan Collection of Contemporary Malaysian Art, a seminal private collection of the first generation of Malaysian contemporary art. Her practice is delivered across several curatorial platforms, including the production of exhibitions, publication of books and a series of culture columns for art and luxury publications.

As an independent curator Khan has curated several exhibitions in Malaysia and London, including Past (Battersea Power Station, London, 2018) Marking The Time (Core Design Gallery/Artcube Gallery, Kuala Lumpur, 2018), Open House (Delfina Foundation as part of the Royal College of Art Graduate Projects, London, May 2017), Debunking the Myth (Core Design Gallery, Kuala Lumpur, 2016). Publications she has worked on include Aku… Dalam Mencari Rukun (2018, National Gallery Malaysia), Life Between The Dots (2017, Core Design Gallery, Kuala Lumpur) and Siri Rasa Bertuhan (2014, Pahang State Museum). She writes on a freelance basis as a cultural contributor for luxury magazines in Asia, and has had articles featured in The Artling, Buro 24/7 Malaysia, Harper’s Bazaar Malaysia and Harper’s Bazaar Taiwan. Khan received a Master’s degree in Curating Contemporary Art from the Royal College of Art London in 2017.

Dr Sylwia Serafinowicz is a Curator at a/political, a London-based non-profit organisation supporting politically and socially-engaged artists, and a regular contributor to Artforum magazine. She curated numerous exhibitions, including Shikeith: This Was His Body/ His Body Finally His (2017), Ewa Axelrad: Shtamah (2017), Wild at Heart (2018), Labor Relations (2016), Punxdefektuozoz: Dr Lakra and Laureana Toledo (2015). Prior to a/political, she collaborated with the festival Art Night 2017, The Institute of Contemporary Arts and The Whitechapel Gallery in London, Centre Georges Pompidou in Paris and was a Collections Curator at the Wroclaw Contemporary Museum (2014 – 2017) in Poland.
She received her PhD in History of Art from the Courtauld Institute of Art in London in 2015 and an MA in History of Art from the University of Warsaw in 2009. She is a member of the AICA UK.

Miriam Cacho has 10 years of creative experience in a fast-paced creative environment.
After a decade of advertising experience and several years as Branded Content Manager of PlayGroundCommunications, to end up in the Content world was unexpected.
Her deep understanding of digital media allows her to best position out- of-the-box narratives. Also, as a creative strategist, she brings strong storytelling skills to a multi-platform world. But, on top of that, what she likes above all is to help foster a witty take on projects, both off- and online. That’s why she’s currently working as a Creative Director in Domestic Data Streamers.
Miriam’s main areas of knowledge are: content strategy, native advertising, hacking narratives, and not underestimating the power of a meme.
During this time she has had the pleasure to work with brands like Airbnb, San Miguel, HBO International, Netflix ESP and Jägermeister, and to develop, as creative director and script writer, a content series project alongside Carlo Padial and PlayGround Fire called Debería Callarme.

Elisenda (Barcelona, 1986) studied Art History at Barcelona’s Universitat Autònoma and completed her theoretical studies with a Master in Graphic Design. She soon entered the world of exhibition design and museography, working first at Exit Design and then at Mediapro Exhibitions. This field fascinated her as it allowed her to explore new ways of communication, working hand in hand with designers and artists in the field of audiovisuals, sound, and virtual and augmented reality.
Currently, she is a Project Manager at Domestic Data Streamers where we make data available as a visible and visual element of discourse, using aspects of participants’ experience in a creative, shared-knowledge piece.