Marta Ramos-Yzquierdo is an art historian from the UCM, Madrid, MA in Cultural
Management from Instituto Ortega y Gasset, and she is part as curator of the ICI New York
(Bogotá, 2013). After five years living in Chile, in 2009 she moved to Brazil where she was
director of Galeria Baró. Between August 2012 and July 2013 she was appointed director
of the independent art center Pivô. Back in Spain, she has run the LOOP Fair 2017.
Nowadays she is living in Barcelona, where she continues working in her researches and
new projects.
As a researcher, Ramos is developing the research Artist working, (thinking on) new
economies, about the labor conditions in the contemporary art. She was also part of History
in display (WT), a collaborative project with contemporary artists on critical insertion in
Brazilian museums. Following these two lines of investigation, Ramos curated ; Error as a
star; Sublime and Dystopia, Ícaro Lira: General Field, and WORK – DO +, in São Paulo,
Brazil; History is written by the victors, Felipe Ehrenberg 67//15 and its public
program Visual scores; and After, Despois, Según, in Madrid, Spain; Rafa Munárriz, Sulla
curva chiusa en la Galeria Macca, Cagliari, Italy; The way you read a book is different to
how I tell you a story, at Jahn und Jahn, Munich, Germany; and Applications of the various
flow theories, with Carlos Amorales and Los Torreznos as guests in Buenos Aires,
Argentina.
Ramos writes texts for artists –Ricardo Alcaide, Marlon de Azambuja, Alberto Casari,
Cristina Garrido, Julius Heinemann, Victor Leguy, Bruno Moreschi, Yoshua Okón, Sara
Ramo, Flora Rebollo, Matheus Rocha Pitta, Sara&André, Tercerunquinto or Fábio
Tremonte among others– and she also for magazines as Arte al día, arthishock and a-
desk.org.

Andrea Rodriguez Novoa is an architect, curator, and writer based in Spain, France, and Switzerland.

Since 2022 she is co-Director and Head of the Professional Program for Barcelona Gallery Weekend. She’s co-founder and director of BAR project and @mia_architectures. She is a member of IKT, International Association of Curators of Contemporary Art and of C-E-A Commissaires d’exposition associés (France). She was a Member of the Acquisition Committee for the Collection of the FRAC Normandie in Caen, France (2017-2021). Since 2018, she collaborates with Leopold Banchini Architects in Geneva.

Regarding her curatorial practice, her reflection expands on space and time, image and story. A special focus on language and its declinations, highly informs her fictional-like critical texts and written projects. She develops curatorial projects and writes from and on affection to speak about art and artists. She is interested in forms and formats of contemporary art diffusion and transmission, and on architectures with a capacity for building into the social and political public realm. She has developed curatorial projects together with a number of collaborators such as Centre Pompidou (Paris), Villa Arson (Nice), French Institute (Barcelona), Casa Velazquez (Madrid), STROOM (The Hague), SOMA Mexico (Ciudad de México), 40m3(Rennes), Gwangju Biennale (South Korea), Quimper Fine Arts School, FRAC Normandie Caen, among others.

Some curated exhibitions and projects include: Slow Gala, SixtyEight Art Insitute, Copenhaguen; A guided visit, Sandberg Instituut, Amsterdam, 2018; Whenever you do(not) feel like, keep going, Plataforma Révolver, Lisbon, 2017 ; Le silence n’est pas la simple absence de bruit, ESAM Caen Cherbourg, 2017 ; Unveiling (Reflections on scape), Primo Piano, Paris, 2016-17; One Night Stand: At-homeness despite it all, MAK Center for Art and Architecture, L. A., 2016; Scoping Scapes,18^th St. Art Center, L. A., 2016; Plagiarizing the future, Hangar, Lisbon, 2015 ; Icaria no es una avinguda, curatorialclube.com, 2015 ; A(p)partment, MAIO Architects, Barcelona, 2014 ; Promenade architecturale, CAC Fort du Bruissin, Grand Lyon, 2014 ; Towards a hypothesis, CAC Fort du Bruissin, XII Lyon’s Biennial, 2013

Last update: November 11th, 2022

Antonella Medici holds a degree in Art History from the University of Barcelona and a Master’s Degree in Latin American Studies from the University of Barcelona, the Autonomous University of Barcelona and the Pompeu i Fabra University. She’s a PhD researcher associated with AGI – Art, Globalization, Interculturality research group (University of Barcelona), and her work specializes in Visual Studies, Memory Studies, Human Rights, Decoloniality and representation policies in Latin America. She has published her work in academic journals such as Kamchatka (University of Valencia) or REG-AC (University of Barcelona), as well as in books such as Body between Materiality and Power (Cambridge Scholars Publishing, 2016). She has participated in seminars and congresses in Spain and Mexico (National Autonomous University of Mexico, University of Barcelona, Reina Sofía National Art Center Museum, Arts Santa Mònica). As a curator, she has developed collective and transdisciplinary projects of contemporary art, which have won awards such as the LOOP prize (2014) and have won competitions such as the Curatorial Challenge of ADN Platform (2015-2016).

Last update: November 11th, 2019

Ignacio is a young new media expert, indie filmmaker and open content enthusiast. He develops projects, strategies and policies that harness the power of technology, open access and participatory culture. In his work, Ignacio is driven to further the dissemination, diversification and repurposing of audiovisual culture. He is co-founder of the project infindie, an online platform for indie filmmakers, the first open footage marketplace to democratize stories.

Curator, Artist, Exhibition Coordinator. Trained in contemporary art and curating,she currently works as coordinator of Barcelona Gallery Weekend. She has workedas exhibitions coordinator assistant  at institutions such as the CCCB, the MUSAC or Fundació Antoni Tàpies. She has developed projects as an artist and carries out collective curating projects of contemporary art.

Her latest curatorial project was “Ne travaillez jamais”, a project aiming to rethink what we understand by working through site-specific artworks created in relation to a specific context and its inhabitants by the artists Alán Carrasco, Paco Chanivet, Diásporas Críticas and Raquel Friera. The co-curators of this project are Blanca del Río, Mariella Franzoni, Antonella Medici and Lucia Piedra. “Ne travaillez jamais” was recently presented at ADN Platform.

May 30th, 2016

Curator of the exhibition Ne travaillez jamais, ADN Galeria, Barcelona.