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Bagnolet Chamanique 4K

Pierre Gaignard

Galerie Eric Mouchet, Paris

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Title
Bagnolet Chamanique 4K
Gallery
Galerie Eric Mouchet, Paris
Year
2019
Duration
15 min
Format & Technical

Video 4K, single channel, sound.
Ed. 3 + 2 AP

Contact

Léo Marin

leomarin@ericmouchet.com

Bagnolet Chamanique 4K is a posthumous tribute, where ritualized dance until exhaustion heals wounds, regenerates and reconnects with what surrounds us: time passing, friendship, our bodies, the memories and spirits of those who have left and of “those who remain” 1. This moment of ritual, a half-savage half-warrior ceremonial, has been developed in different shapes to serve as a cement for a community.
 
Simultaneously a performance, a video and a sculpture, Bagnolet Chamanique 4K was produced during an opera by the Wonder/Liebert in 2017, when the Wonder collective was based in Bagnolet. In this industrial and raw setting, the dancers or warriors, costumed and carrying fireworks, move slowly, like the animist smugglers to a more spiritual world. The film is in slow motion and the sound of the fireworks becomes a haunting whale song. The gloomy melancholy surrounding this work is soon broken by the glare of the fires and the apparent fury for life of these urban dancers, contemporary shamans, neighbors of the Parisian ring road.
 
Pierre Gaignard is co-founder of the Wonder collective which temporarily occupies and transforms vacant places into artists’ studios on the outskirts of Paris.
1. From Vinciane Despret

Stills

Still

Pierre Gaignard

Artist
pierregaignard.com

1986

Pierre  Gaignard

Pierre Gaignard is an artist, sculptor and film-maker, co-founder of Wonder (artist-run-space) and researcher in the laboratory “Effondrement des Alpes”, ESAAA Annecy. For ten years, he has been producing a documentary work composed of sculptures, performances and experimental films, both documentary and fictional. This body of work is driven by a strong intention: to witnessing time at work and bringing to light the survivals that operate there. To this end, he is conducting parallel artistic and academic research in DSRA. He questions the relationship between man and his memory and environment and, inevitably, with forgetting. The different forms that make up these narratives have a functionality that is sometimes pragmatic, sometimes political. They are inspired by the context in which they are set, but also by a more universal idea about our society.

 

Last update 22nd October 2021