HD video, stereo sound
Black Cloud forms the latest episode in Lek’s continuously expanding Sinofuturist universe, following his feature-length science fiction musical AIDOL 爱道 (2019).
Set in an unspecified near future, Black Cloud tells the story of a lone surveillance AI in the abandoned smart city of SimBeijing, a replica of China’s capital built by tech conglomerate Farsight to road-test self-driving cars. After Black Cloud blindly fulfils its assignment of reporting accidents, the AI awakens to the fact that its obedience has led to the banishment of all other AIs, leaving the metropolis deserted. Seeking solace and resolution to its unfulfilled aspirations, Black Cloud begins a dialogue with Guanyin — a self-help therapy program created by Farsight to alleviate suffering in their products.
Rendered from the subjective lens of AI, Black Cloud is a poignant exploration of technological consciousness and the capacity of nonhuman life to experience joy, suffering, and power.
Lawrence Lek studied at Trinity College, University of Cambridge, the Architectural Association, London, and The Cooper Union, New York, and recently graduated with a PhD from the Royal College of Art in London. Recent solo exhibitions include: Nepenthe (Summer Palace Ruins), QUAD, Derby (2022); Post-Sinofuturism, ZiWU the Bund, Shanghai (2022). Recent group shows, biennales and film festivals include: 5th Kochi-Muziris Biennale, Kochi (2022); Leeum Museum of Art, Seoul (2022); Museum of Contemporary Art Australia, Sydney (2022); donaufestival, Krems (2021); IFFR International Film Festival Rotterdam (2020 and 2018); 17th Venice Architecture Biennale, Venice (2021); Fine Arts Museums of San Francisco | de Young Legion of Honor, San Francisco (2020). Lek has been recognised with the 2017 Jerwood/FVU Award and the 2015 Dazed Emerging Artist Award. In 2021 he was the recipient of both the 4th VH Award Grand Prix and the LACMA 2021 Art + Technology Lab Grant.