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BURN TO SHINE (5)

Ugo Rondinone

Esther Schipper, Berlin | Paris | Seoul

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Title
BURN TO SHINE (5)
Gallery
Esther Schipper, Berlin | Paris | Seoul
Year
2022
Duration
13 min 40 s
Format & Technical

Single channel video (color, sound). Dimensions variable

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burn to shine premiered at Ugo Rondinone’s solo exhibition at Petit Palais, Paris, in 2022 where it was presented as a six-channel site-specific projection. This film is one of six individual single-channel films, all titled burn to shine, intermixed from the six-channel installation.

The film features 12 percussionists and 18 male and female dancers gathered around a fire in the desert. Combining an ancestral trance from the Maghreb with the gestures of a contemporary dance conceived with the help of Franco-Moroccan choreographer Fouad Boussouf, they unite with nature from sunset until dawn, when the sun rises again. The diurnal rhythms, the five basic elements of nature, natural phenomena and the conditions of human existence are recurring themes in Rondinone’s œuvre.

As the artist noted in 2022, “The initial inspiration for the work is from a poem by John Giorno: You Got to Burn to Shine, which itself comes from a Buddhist saying describing the coexistence of life and death. This is similar to the much older Greek myth of the phoenix, the immortal bird that cyclically regenerates. According to the legend, a phoenix lived for 500 years. Just before its time was up the phoenix built a nest and set itself on fire. Then at sunrise a new phoenix arose from the ashes.”

Stills

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Ugo Rondinone

Artist

1964, Brunnen

Ugo Rondinone

Ugo Rondinone was born in 1964 in Brunnen, Switzerland. He studied at the Hochschule für Angewandte Kunst, Vienna. The artist currently lives and works in New York.

In 1991, 1994, and 1995, Rondinone received the Swiss Eidgenössischer Preis für freie Kunst. In 2007, Rondinone represented Switzerland at the 52nd Venice Biennale.

Rondinone is recognized as one of the major voices of his generation, an artist who composes searing meditations on nature and the human condition while establishing an organic formal vocabulary that fuses a variety of sculptural and painterly traditions. The breadth and generosity of his vision of human nature have resulted in a wide range of two-dimensional and three-dimensional objects, installations, videos, and performances. His hybridized forms, which borrow from ancient and modern cultural sources alike, exude pathos and humor, going straight to the heart of the most pressing issues of our time, where modernist achievement and archaic expression intersect.