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Et il fut accusé… is an immersive video device. The listener is projected into orbit at an altitude of 400 km, in the heart of the convolutions that the International Space Station (ISS) performs daily around the Earth. Isolated from the exhibition space by anti-noise headphones, the public is invited to let themselves be carried away in an orbit of 92 minutes around the world, which is the exact time that the ISS needs to cover the 40,075 km of circumference of the earth. These images filmed at 28,000 km/h (speed of the space station), however, provoke the sensation of an almost hypnotic slowness.
Capucine Vever develops a contextual practice surrounding the notion of the invisible, the unattainable and the imperceptible. Whether geographic, social and/or cultural, the land is central in her artistic practice. Her work tends to engage in a poetic relationship, by harnessing the potential narrative of each space. Her pieces begin with collages, analogies, constant frictions between reality and fiction, scientific research and narration, cartography and legend, displacement and immobilization. Her work is frequently developed during residencies such as Solarium Tournant (2020), Iconoclasses (2020), Evry-Courcouronnes (2019), Ouessant semaphore (Finis Terrae, 2018), Eremi Arte (Italy, 2017). She received a grant from the CNC in 2014 to develop a sound walk presented at the Maison des Arts de Malakoff (2014), during the Belleville biennial (2014) and the inauguration of KM1. Her video La RELÈVE received the 2019 OVNI video festival prize and she received a grant by the Fondation des Artistes in 2020.