VIDEOCLOOP Menu
Loop

Field­note 25­-01-­16 (unintended anthropometric and behavioral study material)

Raúl Ortega Ayala

Dürst Britt & Mayhew, The Hague

Log in to watch the artist video if you have been given an access

Title
Field­note 25­-01-­16 (unintended anthropometric and behavioral study material)
Gallery
Dürst Britt & Mayhew, The Hague
Year
2016
Duration
1 h 59 min
Format & Technical

Single channel, loop, VHS video transferred to BluRay, SD video, Colour, Stereo sound
Edition of 5 + 2 AP

  • Postproduction
  • Special Thanks

The work rescues discarded footage of old castings and presents it as an anthropometric exercise offering a portrait of contemporary behaviour and people's aspirations.

Raúl Ortega Ayala’s recent work explores history with a focus on Social amnesia and on subjects that for reasons known or unknown did not make it into the realm of history. During his research he happened upon various discarded VHS tapes abandoned in a dusty corner of a film set in Mexico City. From these tapes the artist specifically selected casting shots for commercials from the early 1990s. They not only portray all those people that were not selected, but at the same time offer a quick succession of various human types. The work tragicomically characterises an age, which was still unaware of the impact that mobile communications, social networks, and reality shows would soon have.

Stills

Still
Still
Still

Raúl Ortega Ayala

Artist

1973, Mexico City, Mexico

Raúl Ortega Ayala

Raúl Ortega Ayala (Mexico City, 1973) studied Painting at ‘La Esmeralda’ in Mexico City and then traveled to Glasgow to do a Master in Fine Arts at the Glasgow School of Art —combined with a six­month exchange at Hunter College in New York, from which he graduated in 2003. He then moved to London, where he worked for five years on various projects and returned to Mexico in 2009. During his masters degree, he moved away from painting and veered his practice towards Anthropology and began working with the ethnographic method of ‘participant observation.’ Since then, he has purposefully immersed himself for periods of one or two years in various different contexts such as the office world, gardening and food resulting in three different series titled: Bureaucratic Sonata, An Ethnography on Gardening, and Food for Thought. He is currently exploring other methodologies used in History and Archaeology for a new series, ‘From the Pit of Et Cetera’, devoted to the concept of absence, trace, and iconoclasm. Raúl Ortega Ayala recently participated in group shows at Proyectos Monclova in Mexico City and the Delfina Foundation in London. In the autumn of 2016 he will have a solo exhibition at Dürst Britt & Mayhew in The Hague and Proyectos Monclova in Mexico City.