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Human-Cannabis I & II – Sonnet 27 & ASA

Jawshing Arthur Liou

Chi-Wen Gallery, Taipei

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Title
Human-Cannabis I & II – Sonnet 27 & ASA
Gallery
Chi-Wen Gallery, Taipei
Year
2013/2020
Duration
30 min
Format & Technical

4K, Single-Channel Video, Colour, Sound

Liou’s interest with cannabis stemmed from a 2012 collaboration with Dr. Alex Straiker, a research scientist at Indiana University in the U.S.

Inspired by the ancient worship of hemp in Japan, Human-Cannabis II: ASA (2020) is a memorial of the plant’s cultural heritage, enduring spiritual connections, and untold histories. The film depicts a story of a medieval hemp farmer, his relationship to the crop, and memories of a young girl. The first-person narration combines elements of poetry and fiction as one of Jawshing Liou’s first attempts to broaden his visual work into text-based expression.

Liou’s interest with cannabis stemmed from a 2012 collaboration with Dr. Alex Straiker, a research scientist at Indiana University in the U.S. Their discussion centered around human brains’ ability to produce close equivalence of THC and CBD, known substances from cannabis plants. These substances are responsible for a wide range of cognitive functions including the ability to learn and to forget. The result of their collaboration was a 4-channel video, Human-Cannabis I: Sonnet 27—featuring a prehistoric encounter between human and cannabis. The images in the video suggest a primordial force both in nature and in our minds. It is a journey of someone’s memories both of a child and as a child, blurred between the lines of remembering and forgetting.

As Liou turns his attention to the world’s cannabis history and culture, he discovers the beautiful and mysterious hemp tradition in Japan. In the Shinto coronation ceremony (Daijōsai), the emperor wears a hemp robe and receives an offering of hemp as a symbolic domain of the plant realm and silk as the animal realm. Hemp rope, paper, and fiber could be seen strung around Shinto temples and spiritual sites. Human-Cannabis II: ASA portrays hemp as a religious medium for the supernatural. The unsettled timeline is a metaphor for the mirrored images between illusion and reality, a notion of life that continues to be the main course of Liou’s work.

With the support of the Ministry of Culture of Taiwan.

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Jawshing Arthur Liou

1968, Zhongli

Jawshing Arthur  Liou

Liou es un artista con experiencia en fotografía, medios digitales, cine y periodismo. Sus proyectos recientes incluyen una peregrinación a las montañas sagradas del Tíbet, un viaje a través de la costa de Japón devastada por el tsunami y una colaboración cinematográfica con un neurólogo sobre la conexión entre los endocannabinoides y la memoria. Liou trabaja con materiales basados en lentes e imágenes electrónicas para crear instalaciones que representan espacios mentales y surrealistas. Muchos de sus vídeos no contienen narraciones tradicionales, sino que son de naturaleza meditativa, hecho que permite que el tiempo se ralentice a un ritmo reflexivo mientras las escalas espaciales oscilan entre lo microcósmico y lo infinitamente expansivo. Sirviéndose de fuentes que van desde paisajes y pintura al óleo hasta el cuerpo humano, gran parte del trabajo de Liou está relacionado con las nociones de impermanencia, tragedia humana y santuario espiritual.