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3D, HD Single-Channel Video, Colour, Sound
At the center of Kévin Bray’s art practice resides the video Morpher. Like a living organism, this video piece is continuously evolving, in addition to adapting to the spaces where it is displayed. It tells the story of a being in search of an identity, for itself as much as for the context of its own exploration. Attempting to make a comment on the way we consume information and the limits of our understanding, Morpher questions what the borders of subjective and objective truth are and how these boundaries manifest themselves. Navigating through a reality that would be constructed only by humans for humans, the journey undertaken in this work becomes a shape shifting critical mirror of our language, information and data society.
Kévin Bray’s work oscillates between several media –namely video, graphic design, and sound design– through which he questions the existence of the image and its (modes of) production. To what extent is a still image time-related? How do media and format interact and influence each other? He tries to understand how the form and language of a particular medium are visualized and manipulated, in order to impose those codes onto another medium. His interest lies in playing with the possible porosity created by confrontation and through this methodology he aims to open and diversify a language while exploring the edges of its possibilities.