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Os humores artificiais [The Artificial Humours] was shot in Mato Grosso (Canarana and the Yawalapiti and Kamayura villages inside the Xingu Indigenous Park) and São Paulo. The film tells the story of a journey of an indigenous comedian who joins a robot and becomes famous in Brazil’s mainstream cultural industry. The uncanny film makes an issue of the humorous habits of various indigenous groups in contrast to progress and artificial intelligence.
The work of Gabriel Abrantes create layers of unlikely readings by altering traditional narratives and touch upon the absurd, folklore, humour and politics. Hollywood aesthetics are mixed with documentary techniques, and avant-garde strategies are crossed with archaic technologies. Often funny, disconcerting, and provocative, his work suggests ambiguous readings of sensitive issues by twisting and perverting the viewer’s traditional expectations. Abrantes has regularly shown his work at museums such as the Tate Britain (London), the Palais de Tokyo (Paris), the MIT List Visual Arts Center (Boston), Museu Serralves (Porto), and Kunst-Werke (Berlin).
Last update: October 15th, 2019.