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A man with balaclava mask sits at a long table in a mysterious, candlelit derelict space incessantly and obsessively draws and writes a phrase ‘du bout’ or ’the end' endlessly.
When the time comes, he goes out in the deserted nocturnal Paris, walks like a haunting spectre under the Notre Dame, by the Seine River, along the trails of the Metro. And with an industrial-sized high-pressure spray tank and long spray gun, the masked man writes on the station walls and advertising displays, over and over again, ‘du bout du bout du bout’ – the end, the end, the end. He scars the city in tall, spray-painted letters ‘du bout du bout du bout’. The journey to the end of the night takes the audience through the empty Parisian cityscape as we follow the man, arriving at an underground sewage way and finally at a bright, almost whiteout gate at the end of the waterway.
Radouan Zeghidour is an emerging artist whose practice centres around the ideas of clandestine, mystery, melancholy, legend, ruin, memory and ephemerality, always having visceral connection with his native Paris. He graduated from the Beaux-Arts de Paris in 2016 and gradually his unique style has started to be known and compensated, as he was selected to take part in the Jeune Creation in 2018 and the Salon de Montrouge in 2019, both considered to be important passage for emerging artists active in France. His solo shows include ‘LXXV Chants de Sirènes’ 2019 and ‘Jian’ 2017 both at Yamamoto Keiko Rochaix, ‘Evasion’ Kunstlerhaus Sootbörn, Hamburg, 2018 and ‘Hypogea’ at Catinca Tabacaru, New York, 2016.
Last update: October 14th, 2019.