Des de 2019, Martina Millà és Cap d’Exposicions a la Fundació Joan Miró de Barcelona. Abans, des de 2007 fins al 2018, va ser Cap de Programació i Projectes al mateix museu, on va ser responsable de la programació d’exposicions, la curadoria i la coordinació de tres exposicions d’art modern i contemporani a l’any, una comissió anual de Nadal i exposicions de fotografia de petit format destacant el treball de fotògrafs no professionals. Durant tots aquests anys, també va ser responsable de la programació i supervisió del projecte d’art emergent room Espai 13, actuant com a mentora per a joves comissaris i donant oportunitats a artistes seleccionats de les escenes espanyola i catalana, així com d’arreu del món. A partir de 2006, va començar a coordinar el Premi Joan Miró (un premi internacional biennal) i a co-comissariar exposicions amb els artistes guanyadors (Olafur Eliasson, Mona Hatoum, Pipilotti Rist, Roni Horn, Ignasi Aballí, Kader Attia, Nalini Malani i Tuan Andrew Nguyen).

Director of Aceton, Filmmaker, Video Artist, Musician and Writer. His career has developed mainly in cinema, video installations and theatre. With his documentaries and films he has been selected for various awards and venues such as the AlJazeera International Documentary Film Festival, PriMED, LOOP-Barcelona.

At LOOP 2016 he presented his Artwork “Power no Power” (2013) which considered new forms of power and “El Olivo”(2010), a metaphor for the humanization of the savage through technified industry. He also conducted the UMVA (Unitat Mòbil De Video Arquitectura) workshop.

At Loop 2017 he will present “Orígen, cuerpo, ciudad”, the film is a joint work of the participants of the workshop led by artist Claudio Julian and Matteo Guidi at the centre Torre Barrina in L’Hospitalet. As contribution to the overall theme of this year´s Loop Festival on the beginnings of video art, the film offers a personal mediation on Nam June Paik´s oeuvre. It is also an exploration of the city of L’Hospitalet through the performance of young members of the local Associació Ítaca and the images that the urban environment may suggest.

Last update: May 15th, 2017

Olga Sureda is an independent curator, writer and cultural manager. She graduated in Fine Arts at the University of Barcelona and holds a MA degree in Management and Design of Exhibitions by the European University of Madrid. She has been attending several seminars, courses and residencies about Curatorial Studies such as ICI (Independent Curators International), New York; the Internationale Sommerakademie für Bildende Kunst, Salzburg; or Node Center for Curatorial Studies, in Berlin. Olga is part of the research group of the platform Global Art Archive and one of the coordinators of the training seminar “ON MEDIATION_Theory and Curatorial Practices” in the Global Art, organized by the Research Group Art Globalisation Interculturality (AGI), at the University of Barcelona. Sureda belongs to a select group of Museum Mediators as part of the Lifelong Learning Program, ECCOM, she recently worked at ADN Galeria as the responsible for Press and Communication, and she is the co-founder of Nectar, a rural co-working and co-living space.

May 18th, 2016

Menene Gras és la directora de Cultura i exposicions a Casa Àsia (Barcelona i Madrid) des de 2003. Amb un doctorat de la Universitat de Barcelona, Menene Gras és crítica d’art, conservadora i ex-professora. Abans d’això, va ser directora de Cultura i exposicions a l’Instituto de Medicaments Iberoamericans (actual Casa Amèrica de Catalunya) i també directora actual del festival de cinema asiàtic. Autora d’assajos, catàlegs, antologies i quatre llibres de poesia, ha estat corresponsal d’art d’Art Forum durant més de dotze anys i ha escrit pels diaris espanyols més importants.

Els recents aspectes destacats de la seva carrera professional inclouen exposicions i publicacions, com Is that Beauty? (2016-2017), The House and the Labyrinth (2015), El Jardín japonés: Topografías del vacío (2014), Chiharu Shiota. Les línies de mà (2014) i Pequín (2011).

L’any 2015 va ser guardonada per l’ACCA pel Projecte de Video Art Languages and Aesthetics of Spanish Video Art com la millor exposició espanyola feta a l’estranger. Actualment viu i treballa a Barcelona.

Darrera actualització: 10 de maig, 2017

David Claerbout  is one of the most innovative and acclaimed artists working in the realm of moving images today, his oeuvre exists at the intersection of photography, film and digital technology.Trained as a painter, he became more and more interested in time through investigations in the nature of photography and film. His works present profound and moving philosophical contemplations on our perception of time and reality, memory and experience, truth and fiction.Using pixel constellations, image sequences, light, speed, speech, music and ambient sound, installation environment and the technologies used to convey these, his strikingly sensual compositions elicit new modes of perceptual absorption, expectations, comprehension and memory. He has been the subject of numerous solo exhibitions internationally, most recently including: MNAC, Barcelona, and Schaulager, Basel (2017); Städel Museum, Frankfurt (2016); KINDL, Berlin (2016);  Marabouparken Konsthall, Sundbybert, Sweden (2015); Nederlands Fotomuseum, Rotterdam (2014); Kunsthalle Mainz, Mainz, Germany (2013).

Last update: May 19th, 2017

Moritz is an early career curator and interior designer; he is currently working with videoclub to deliver programmes such as Both Sides Now, a collaboration between Videotage (Hong Kong) and videoclub, working across the UK and China. He also contributes to acubien.com as a lifestyle editor, based at Asia Bureau.
He recently worked as design assistant with Not Tom, a London-based design consultancy, supporting design concept development, sales and marketing, and design research.
In early 2015 and 16, he worked with Art Basel as Film Coordinator, working with curator Li Zhenghua, to coordinate the film programme during Art Basel Hong Kong, showing works by artists such as Chen Tianzhuo, Lu Yang and Song Kun. In 2014, he worked at La Biennale di Venezia (architecture), helping to deliver events and exhibitions held in the Hong Kong Pavilion. Moritz is a recent graduate, holding a BA in Environmental and Interior Design.

May 30th, 2016

Director, videoclub. Jamie Wyld established videoclub in 2005 with Ben Rivers and Laura Noble, since then videoclub has shown work by over 400 artists, with screenings taking place internationally, alongside partners such as Whitechapel Gallery (London), Videotage (Hong Kong), Echo Park Film Center (LA) and Chronus Art Center (Shanghai). Artists have included Laure Prouvost, Naheed Raza, Uriel Orlow, Hetain Patel and Semiconductor.
He is also a director of creative collective The Nimbus Group, which works with digital media to create experiences. The Nimbus Project (2014) was produced in collaboration with Chris Watson, to take listeners to impossible places to augment daily life. Their most recent Project, Giddy (2016), enables audiences to hear teenaged memories of life in Brighton during the 1940s, 50s and 60s. For six years he was programme curator for arts and technology agency, Lighthouse, working with artists such as Kutlug Ataman, Mariele Neudecker, David Blandy and James Bridle.

May 30th, 2016

Carly Whitefield is Senior Curator at LAS Art Foundation, Berlin, where she curated Alexandra Daisy Ginsberg: Pollinator Pathmaker LAS Edition (2023–2026), Marianna Simnett: GORGON (2023), and Lawrence Lek: NOX (2023–2024). Formerly, she was Assistant Curator, International Art, at Tate Modern, where she contributed to Anicka Yi’s Hyundai Commission for Turbine Hall, In Love With the World (2021–2022), Dóra Maurer (2019–2021), and BMW Tate Live Exhibition: Ten Days, Six Nights (2017). She also co-curated the Tate Film cinema, installation and performance programmes, realising interdisciplinary projects such as Enmeshed (2022), Nástio Mosquito: No.One.Gives.A.Mosquito’s.Ass.About.Us (2020), Pan Daijing: Tissues (2019), Nkisi: The Spiral (2019), Tony Cokes: Sound Systems (2019) and Lawrence Abu Hamdan: Walled Unwalled (2018), among others.

Whitefield previously worked as Editorial and Research Associate for Oslo Pilot, and has given lectures for MA programmes at the Royal College of Art, Central Saint Martins, London College of Communication and University of Reading. She received a degree in Cultural Studies at McGill University, Montréal, before completing her Master of Research in Art: Moving Image at Central Saint Martins, London.

Rose Cupit, Manager of the Film London Artists’ Moving Image Network (FLAMIN). Through FLAMIN, and with funding from Arts Council England, Film London supports London-based artists working with moving image, offering production funding and training, as well as showcasing this work to grow audiences worldwide. FLAMIN has commissioned over 150 productions, and supported the careers of countless artists with programmes of one-to-one sessions, residencies and workshops. Flagship projects from FLAMIN include the commissioning fund FLAMIN Productions and the annual Film London Jarman Award.

May 26th, 2016

Chantal Molleur is Co­founder and director of WHITEFRAME. Molleur is cultural producer, curator and promoter. Prior to moving to Switzerland in 2005, she worked in the Canadian media arts for 20 years. She directly assists institutions, filmmakers and artists, from the inception to the launch and promotion of their art and projects. Chantal has served on boards of directors and on juries for grants awarded to institutions, artists and filmmakers. She is the Swiss delegate for the International Festival of Films on Art of Montreal and the promoter of the graduate films at the Lucerne University of Applied Sciences and Arts.