Musician,  Collector, Lecturer and Analyst of the Relation between Music and Intellectual Property.
He is mostly known for his work in SUPERELVIS (band for which he was singer, harmonica player and lyricist between 1986 and 1998) or in HAZARD RECORDS (netlabel and former CDr labed that releases exclusively works in the Public Domain).

May 5th, 2015

Coordinator of the online Radio Project Ràdio Web MACBA and Co-Director of the Label ALKU, a multidisciplinary platform operating since 1997. Under this umbrella she develops projects, installations and cycles on computer music, generative audio, synthesis and related areas. Together with Roc Jiménez de Cisneros she has curated lecture cycles, concerts and installations for MACBA, Sónar, Espai Cultural Caja Madrid and CosmoCaixa, among others. Her work has been presented worldwide.

May 5th, 2015

Brooklyn-based Sound Artist, Organizer and Audio Engineer, originally from Germany. In his artistic practice he is using conceptual and often collaborative strategies to explore sound, sound material and its modulation through space, situation and media. Curatorially he runs a monthly event series in NYC (CT-SWaM) that engages in spatial sound works and focussed listening.

May 5th, 2015

Flutist and Composer, focused on the performative Aspect of Spatial Sound Work, activating Space with live acoustic musical Instruments or with sensitive Atmospheres of electronic Processes and evolving Sound Compositions. Known for her subtle exploration of the minutae of sonic material, Held creates sensitive, focused sound work that draws the listener in. Held’s work exposes the detail of the physical space of listening in equal part to a keen attention to how we listen as bodies moving through the world. She created and produced the series “Música a Metrònom”, a festival of experimental music that supported collaborations between musicians and visual artists. She was curator of “Possibility of Action: the life of the score” for the CEDOC / MACBA, and “Lines of Sight”, a series of seven programs of experimental music and radio art for radio web MACBA.

May 5th, 2015

Artist, Musician and Curator. She studied Musical Studies in the Conservatorio de Sabadell and received a diploma in Graphic Design. She possesses a diploma in Fine Arts and a Master’s in Sound Art, both degrees from the UB. She is member of Sons de Barcelona and the collective, Nenazas. In 2015, she had a investigation scholarship in MMSU, Rijeka (Croatia). During 2013 and 2014 she was selected for the Lo Pati-Eufònic, BCN Producció, Sala d’Art Jove and she participated in Arts Sònica (Arts Santa Mònica), FAQ-Factotum (Fundació Antoni Tàpies). She was a resident of L’Estruch, Hangar and currently has her study in Salamina.

May 5th, 2015

Sound Artist and Reseacher. I create sounds that go beyond the speaker; filling, narrowing, dividing, coloring, saturating, and emptying the space of listening.

May 5th, 2015

Lúa Coderch combina tècniques narratives i objectuals en els seus vídeos, les performances i les instal·lacions, que configura com a dispositius de recerca. La seva obra està enfocada en la dimensió superficial, estètica i fenomenològica de la nostra vida compartida i les seves implicacions filosoficopolítiques latents. Entre les seves exposicions destaquen Vida de O (CentroCentro, Madrid); [Shelter], Fundación BBVA (Madrid), 2018; The Girl With No Door On Her Mouth, Àngels Barcelona, 2018; [Shelter] As long as summer lasts, The Ryder (Londres), 2018; Souvenir (Onyx), Art Institute Vienna, 2017; The Rainbow Statement, BGW (Barcelona), 2016; Night in a Remote Cabin Lit by a Kerosene Lamp, Àngels Barcelona, 2015; Oro, Fundació Suñol (Barcelona), 2014; La parte que falta, Bacelos (Madrid), 2014, i La muntanya màgica, Fundació Joan Miró (Barcelona), 2013.

Anna Dot és una artista i doctora en Traducció per la Universitat de Vic (2019). Compagina la investigació artística amb la docència, que exerceix al grau de Belles Arts de BAU, i és membre de l’equip directiu de l’Escola d’Arts Plàstiques de Torelló. El seu treball, representat per Bombon Projects, de Barcelona, se centra en l’estudi de la traducció i els actes comunicatius, i dedica una atenció especial atenció als processos de lectura i escriptura més enllà dels límits lingüístics. De caire conceptual, la seva obra no s’enmarca en el domini d’una tècnica concreta, sinó que es materialitza per uns processos i en uns materials o altres en funció de les idees treballades. El seu estret vincle amb la noció del caminar com a pràctica artística, que treballen col·lectius com Deriva Mussol, de Vic, o projectes com el Grand Tour, de Nau Coclea, es fa palès en alguns dels treballs de Dot, com ara la seva intervenció a la Ruta Walter Benjamin 2016, la performance que va presentar a la Bianyal 2017, les intervencions per al cicle “Naturalesa no és paisatge – Escenes erràtiques” d’ARBAR a l’estiu del 2020, o el cicle de rutes “Octavianes”, engegat col·lectivament a l’agost del 2019 i en procés de realització.

Darrera actualització 15 d’agost de 2023

Lluís Nacenta is a curator, writer, musician and researcher in the space of confluence of music, art, technology and science. He holds a degree in mathematics, a degree in piano, a master’s degree in comparative studies of literature, art and thought and a doctorate in humanities, with a thesis on musical repetition. He has been Head of Postgraduate Studies at Eina, University Center of Design and Art of Barcelona, from 2015 to 2017, Director of Hangar, Center for Production and Research of Visual Arts, from 2018 to 2021, and is Director of Quo Artis since September 2022.

Last updated, November 13th, 2022

Anne-Laure Chamboissier holds a BA and MA in Contemporary Art from La Sorbonne Paris IV. After being in charge of Contemporary Art and Cultural Heritage in the historical region of Touraine, she specialised in interdisciplinary practices and co-curated the Belgian sound art festival “City Sonic” for four years (2009-2012). From 2007 to 2009, she was appointed curator by the French Embassy in Brussels, during the French Presidency of the European Union. Meanwhile, she curated exhibitions for institutions, such as the school ENSA Bourges. In 2014, she co-curated Tentative(s) d’épuisement for ARCO Madrid with Christophe Daviet-Thery, and in October of that same year, she presented Sounds by the river in collaboration with the program Hors les murs at FIAC, Paris. In April, she was also invited at the MUNTREF University in Buenos Aires as a visiting lecturer. In January 2015, the film that she co-directed on sound poet Bernard Heidsieck was released on DVD. She is the curator of Beyond the Sound, an exhibition that inaugurated this past May at Le French May in Hong Kong.

April 26th, 2016