Aquesta sessió té una capacitat limitada.
One of the seminal filmmakers to emerge from the London Filmmaker’s Cooperative in the 1960s, Malcolm Le Grice’s oeuvre spans cinema and gallery, analogue and digital, theory and practice. Deemed by the British Film Institute to be “probably the most influential modernist filmmaker in British cinema,” Le Grice is known for his rigorous interrogation of filmic materiality, innovative engagements with found footage, expanded cinema experiments, and commitment to a politicized critique of the illusionism of Hollywood cinema. More recently, he has engaged deeply with the aesthetic possibilities of digital technologies, including digital 3D. In this conversation, Le Grice will discuss the guiding concerns of his nearly-fifty year career as an artist and writer, and will reflect upon how the relationships between art and the moving image have developed and transformed since the 1960s.
Erika Balsom is a senior lecturer in Film Studies at King’s College London. Her book After Uniqueness: A History of Film and Video Art in Circulation, was published by Columbia University Press in 2017. She is the author of Exhibiting Cinema in Contemporary Art (2013), the co-editor of Documentary Across Disciplines (2016), and a frequent contributor to magazines such as Artforum, frieze, and Sight & Sound. Her scholarly work has appeared in journals including Cinema Journal, Screen, and Grey Room. In 2017, she was the international curator in residence at the Govett-Brewster Art Gallery/Len Lye Centre, New Zealand, resulting in the 2018 screening programme and publication An Oceanic Feeling: Cinema and the Sea. In 2018, she was awarded a Leverhulme Prize and the Katherine Singer Kovacs essay award from the Society for Cinema and Media Studies.
Last update 7th February 2019
Malcolm Le Grice studied painting at the Slade School of Fine Art, London, and began to make film, video and computer works in the mid-60s. Together with David Curtis, he founded the London Film Makers Cooperative in 1968. Out of the Co-Op emerged Filmaktion: a group of radical performance artists and filmmakers, of which Le Grice was part.
He has exhibited extensively in museums and film festivals including: Paris Biennale No.8, Paris, 1973; Une Histoire du Cinema, Paris, 1976; Documenta 6, Kassel, 1977; X-Screen at the MUMOK, Vienna, 2004; Behind the Facts. Interfunktionen 1968-1975, Fundació Joan Miró, Barcelona, 2004; Performa13, New York, 2013. Screenings have been held at Museum of Modern Art, New York; Louvre, Paris; Tate Modern and Tate Britain, London.