VIDEOCLOOP Menu
Loop

1975

Akram Zaatari

Sfeir-Semler, Beirut

Log in to watch the artist video if you have been given an access

Artist
Akram Zaatari
Títol
1975
Galeria
Sfeir-Semler, Beirut
Any
2015
Fomart tècnic
8 min 34 s
Format & Tècnica

HD video, stereo sound.
Ed. 1/5 + 2 AP

El 6 de març, el diputat de Saida, Maarouf Saad, va ser assassinat mentre encapçalava una manifestació de treballadors. Se sap de primera mà que l’incident va desencadenar la guerra civil al Líban. Aquest fragment de Twenty-Eight Nights and a Poem analitza l’arxiu en línia en relació amb les famoses i molt conegudes produccions internacionals pop dominants durant l’any 1975. Com la majoria de TWENTY-EIGHT NIGHTS, la pel·lícula més llarga, aquest extracte juga amb la recreació de melodies i, per tant, va i torna en el temps per plantejar intricades superposicions entre la memòria personal i els esdeveniments històrics més importants esdevinguts en aquells temps al Líban. Compta amb tauletes, càmeres i pantalles i, molt sovint, les s’involucra en un orquestració de fenòmens màgics.

Stills

Still
Still

Akram Zaatari

Artist, Participant

1966, Saida

Akram Zaatari

Akram Zaatari (b.1966 in Lebanon) has produced more than fifty films and videos, a dozen books, and countless installations of photographic material, all sharing an interest in writing histories, pursuing a range of interconnected themes, subjects, and practices related to excavation, political resistance, the lives of former militants, the legacy of an exhausted left, the circulation of images in times of war, and the play of tenses inherent to various letters that have been lost, found, buried, discovered, or otherwise delayed in reaching their destinations. Zaatari has played a critical role in developing the formal, intellectual, and institutional infrastructure of Beirut’s contemporary art scene. As a co-founder of the Arab Image Foundation, a groundbreaking, artistdriven organization devoted to the research and study of photography in the Arab world, he has made invaluable and uncompromising contributions to the wider discourse on preservation and archival practice. Zaatari’s represented Lebanon at the Venice Biennial in 2013. his work has been featured at Documenta13 in 2012. His work is part of institutional collections such as the Centre Pompidou, Paris; Guggenheim Museum, New York; Hammer Museum, Los Angeles; K21 Dusseldorf; MACBA, Barcelona; Moderna Museet, Stockholm; MoMA, New York; Serralves Foundation, Porto; Tate Modern, London and Walker Art Center, Minneapolis.

Last update: November 11th, 2020