Vídeo 4K Monocanal; 16:9
Yary, una jove cantant del Delta de l’Ebre, interpreta Rondalla 99, una balada del futur: una cançó tradicional transformada en un relat especulatiu sobre la vida al Delta que encara ha d’arribar. La seva veu ressona com un eco de futurs possibles, no pas invocant catàstrofes, sinó narrant formes d’adaptació i supervivència. La peça s’inspira en les pràctiques de transmissió oral que han configurat la memòria col·lectiva del Delta de l’Ebre, reinterpretant-les i transformant la cançó en una eina de resistència simbòlica i emocional.
Anna Moreno is a visual artist and researcher based between The
Hague and Barcelona. Her research-driven artistic practice focuses on the
inconclusive nature of historical and speculative future events. She examines how
past utopias continue to influence the present and the interplay between human
history and speculative futures. She has participated in residencies, such as at the
Jan Van Eyck Academie in Maastricht or the Seoul Art Space Geumcheon in Seoul,
and exhibited at institutions like the Joan Miró Foundation (Barcelona), MOCAB
(Belgrade), and HIAP (Helsinki). Moreno also incorporates teaching and writing into
her artistic career, publishing essays on art, politics, and architecture while teaching
artistic research internationally. Additionally, she is working on projects including a
science fiction film, Marfantes, and exhibitions such as Subsidence at HAUS
(Barcelona), curated by BAR Project. Her recent works, such as The Terminal
Beach's trilogy, explore intersections of 70s architecture, Mediterranean history, and
speculative economies through video installations.