Vídeo Monocanal, 4K, 16:9
Yary, una joven cantante del Delta del Ebro, interpreta Rondalla 99, una balada del futuro: una canción tradicional transformada en un relato especulativo sobre la vida en el Delta que está por venir. Su voz resuena como un eco de futuros posibles, no invocando catástrofes, sino narrando formas de adaptación y supervivencia. La pieza se inspira en las prácticas de transmisión oral que han dado forma a la memoria colectiva del Delta del Ebro, reinterpretándolas y transformando la canción en una herramienta de resistencia simbólica y emocional.
Anna Moreno is a visual artist and researcher based between The
Hague and Barcelona. Her research-driven artistic practice focuses on the
inconclusive nature of historical and speculative future events. She examines how
past utopias continue to influence the present and the interplay between human
history and speculative futures. She has participated in residencies, such as at the
Jan Van Eyck Academie in Maastricht or the Seoul Art Space Geumcheon in Seoul,
and exhibited at institutions like the Joan Miró Foundation (Barcelona), MOCAB
(Belgrade), and HIAP (Helsinki). Moreno also incorporates teaching and writing into
her artistic career, publishing essays on art, politics, and architecture while teaching
artistic research internationally. Additionally, she is working on projects including a
science fiction film, Marfantes, and exhibitions such as Subsidence at HAUS
(Barcelona), curated by BAR Project. Her recent works, such as The Terminal
Beach's trilogy, explore intersections of 70s architecture, Mediterranean history, and
speculative economies through video installations.