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LOOP Talks 2017: Beryl Korot en diálogo con Neus Miró

Cargando vídeo, espere
Cargando vídeo, espere
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Ponentes
Beryl Korot y Neus Miró
Idioma
English

VIDEOTAPED: conversaciones sobre los inicios del videoarte

Beryl Korot y Neus Miró empiezan recordando la aparición del video a finales de los años 60. Korot habla de la fundación de la revista Radical Software en 1970, el acceso a la tecnología de la información y la televisión. También habla de la instalación multi-monitor como alternativa a la televisión, y su fascinación por la música experimental.

Beryl Korot

Artist, Speaker

1945, New York

Beryl Korot

Beryl Korot (New York, 1945) is a pioneer of video art whose work brought video technology into conversation with the ancient hand loom. Co-founder and co-editor of Radical Software (1970), her work has been exhibited at The Kitchen (1975), Leo Castelli Gallery (1977), Documenta 6 (1977), the Whitney Museum (1980, 2000 and 2002), The John Weber Gallery (1986),The Carnegie Museum (1990), The Reina Sofia (1994), ZKM (2008), The Aldrich Museum (2010), bitforms gallery, NYC (2012), The Whitworth Gallery, UK (2013), Museum Abteiberg (2013), Art Fair Basel, ICA Boston, Tate Modern (2014), and SFMOMA (2016). Two collaborations with Steve Reich (The Cave, 1993, and Three Tales, 2002) brought video installation art into a theatrical context and continue to tour worldwide. In 2010 The Aldrich Museum, Ridgefield, CT presented a 6 month mini retrospective of her work. She is in the permanent collection of NY MOMA and in The Kramlich Collection’s New Art Trust shared by SFMOMA, NY MOMA and the Tate Modern, amongst others. She currently lives and works in New York.

20 April 2017

Neus Miró

Curator, Participant, Speaker
Neus Miró

Neus Miró is a curator and art critic. She studied Art History (Universitat de Barcelona) and obtained the M.A. in Curating Contemporary Art from the Royal College of Art (London). She now works as a Curator in the Wolverhampton Art Gallery (UK) and is pursuing doctorate studies at Central Saint Martins College (University of the Arts, London).

Her area of research has focused on artistic practices in film and video. Her most recent curatorial projects include participation on the curatorial team of Apología/Antología. Journeys through video in the Spanish context (Hamaca, 2016), Insomnia (Fundació Joan Miró, 2013), Sharon Lockhart: Doble Tide (Espai d’art contemporani de Castelló, 2012) and Urban Fictions (Koldo Mitxelena, 2011).

She is the author and editor of various publications including “Insomnia” (Fundació Joan Miró, 2012), “Perejaume. Imágenes proyectadas” (CAB, 2010) and “Impasse 8: La exposición como dispositivo. Teorías y prácticas en torno a la exposición” (La Panera, 2008).

She has served as a visiting professor at several universities: Escuela Superior de Diseño-ESDI (Universitat Ramon Llull), MECAD, International University of Catalonia and Universidad de Zaragoza. She currently lives and works in Wolverhampton (UK).

20 April 2017