By way of archival footage, recent material and interviews, the video proposal on Ricardo Bofill’s Walden7 –a massive social housing building and a radical architectural project on the outskirts of Barcelona–, wants to review its journey between the initial project outline and its current status.

The compilation of the different testimonies is structured around the core conversation with the architect’s sister and co-author of the project Anna Bofill, herself an architect, as well as a feminist activist and co-founder of the Architecture Workshop. She has been living in the building for the past 30 years, thus, identifying with the project through to the end.

Co-finances with funds from the Creative Europe Program and the project A-PLACE. Linking places through networked artistic practices.

Un día en la Ricarda [“A Day at the Ricarda”] brings together architecture and life experience through two girls, Manuela and Luz, who seem to live with no connection to adults in an iconic space of rationalist architecture: la Ricarda (Casa Gomis), which was projected by architect Antonio Bonet in the 1950s. Here, these two girls take us back to our childhood summers, full of light, sun and games, when the presence of the adult world was only an illusion in the shape of a shadow or a disturbing appearance.

Primera Mort is the title of the video made in 1969 by Jordi Galí, Àngel Jové, Silvia Gubern and Antoni Llena. Considered to be the first piece of video art in Spain, it was lost in 1987 after being exhibited at the Reina Sofia in Madrid, in the context of the first retrospective dedicated to video organized by the museum. Lost for almost thirty years, Primera mort’s tape was found again in 2010 among TV3 files, during a research process that Blanca de la Torre and I carried out on the occasion of the exhibition Video(s)torias, held at Artium (Vitoria). Despite the considerable deterioration of the video and its sound, we presented it anyway. In 2014, Primera Mort became part of the collection of the MACBA and the museum’s technical staff restored the audio in January 2017.

This fact has allowed for an entirely new reading of the video and its content. Not only can we emphasize the relevance of the relationship between image and sound, but we can also think of montage as a radical mode of audio-visual writing.

In 1969 a conference titled “Art and News” was held at the Association of Architects of Catalonia (CoAC). Artists Jordi Galí, Àngel Jové, Silvia Gubern and Antoni Llena were invited to give a lecture focusing on their aesthetic approaches, which were considered to be quite revolutionary at the time. They accepted the invitation and, without given anyone notice, decided to make a video. On the day of the symposium, they recorded many of the attendees. In the auditorium where everyone was waiting, they had placed a monitor on the conference table. Then they turned off the lights and turned on the monitor: Primera Mort was finally being shown to the public.

The piece is clearly divided into two parts, the first one taking place in the very house that the four artists shared in Barcelona (located in Clarassó street, in the area of the Maduxeir). This first part gathers together everyday moments and some gestural games that acquire a symbolic meaning, while referring to the ideas of sex, death and creation and the relationship between them. The images follow one another while their authors appear and disappear, interact with each other and let life inhabit the empty spaces. The scenes are recorded in a black room and the patio of the house. The video also features the participation of a girl, the daughter of a gypsy family that lived near the house, the son of Silvia and Jordi, and a hen.

The images are accompanied by the voice-over of Àngel Jové and William Burroughs reading fragments of the book The Naked Lunch by Burroughs, and by selected fragments from the Pink Floyd’s album Ummagumma.

The second part of the video presents the images that were recorded at the CoAC. The scene focuses on the attendees going up the stairs leading to the main conference room and is accompanied by Let it be, the renowned song by the Beatles. After viewing the video, the authors were able to identify Esther Tusquets, Salvador Clotas, Santiago Roqueta, Gonzalo Herralde, Frederic Amat, and some of their relatives.

Primera Mort is definitely a visionary piece that speaks truth to a moment in which different creative forces emerged. Although nothing apparently happens, it is quite a complex piece. Image, text and sound merge with an astonishing coherence, while they summon life, causing it to reveal itself.