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LOOP Talks 2018: Whose Screen Is It Anyway?

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Speakers
Rä di Martino and Maxa Zoller
Language
English

Through a series of roundtable discussions gathering together international art professionals, the LOOP Talks 2018 provided the space to debate and exchange ideas on contemporary modes of production or the cluster of acknowledged practices and concepts that form a context within which the moving image is used and circulated.

In this talk, Rä di Martino and Maxa Zoller assessed the crisis in distribution and spectatorship of the new artists’ films. With historical expertise and artistic imagination the panel will project a future vision of a hybrid space and a new institutional framework.

Rä di Martino

Artist, Speaker
www.radimartino.com

1975, Rome

Rä di Martino

Rä di Martino (Rome, 1975) deals with our perception of reality and fiction, drawing attention to the absurdity of representing either. The artist’s background in theatre and her passion for film emerge not just in her videos, but in photographic and installation work. Sets, actors and props are used variously to pick apart subjects as human relationships, cinematographic traditions, the theatre of war, and the fabrication of history.
She studied at Chelsea College of Art and Slade School of Art in London, before moving to New York from 2005 to 2010, she lives now in Turin. She has shown her work in diverse institutions around the globe. She participated of the Venice Film Festival 2014 and 2017, winning the Gillo Pontecorvo Award and the SIAE Award and the Gillo Pontecorvo Award respectively.

 

Maxa Zoller

Maxa  Zoller

Dr Maxa Zoller is the new Artistic Director of the International Women’s Film Festival Dortmund | Cologne. She also works as a film curator for Art Basel and taught experimental film history and theory at divers universities including the American University in Cairo, Goldsmiths College and Sotheby’s Institute of Art, London. In 2014 she co-curated a major solo exhibition of Anthony McCall at EYE Filmmuseum in Amsterdam. Further, Zoller has presented various experimental film screenings in London and beyond; for instance Tate Modern, South London Gallery, no.w.here, the Munich Filmmuseum and the Centre of Contemporary Art in Geneva. In her writings for MIT, IB Tauris, JRP-Ringier and Hatje Verlag she covered topics ranging from post-socialist identity discourse and feminism to her academic expertise; the history of Western avant-garde and experimental film, its contexts of exhibition and its historiography.

Last update 1st October 2018

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