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LOOP Talks 2019: ‘Re-socializing Institutions of Care’

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Speakers
Daniela Zyman
Language
English

The 2019 edition of the Talks gathered together artists, curators and collectors to discuss a variety of different topics such as the crossovers between politics and art, the socialization of private institutions and collections, precarity and resistance and the preservation of cultural heritage.

This presentation by Daniela Zyman (Chief Curator and Artistic Director, TBA21-Thyssen Bornemisza Art Contemporary) presented a series of arguments and case studies, to test how curatorial and artistic praxis can mobilize localities, bodies and voices and imagine ways of working and living together in “catastrophic times.”

Daniela Zyman

Curator, Jury, Speaker
Daniela Zyman

Daniela Zyman is chief curator and artistic director of Thyssen-Bornemisza Art Contemporary (TBA21), a private foundation established in Vienna by Francesca Thyssen-Bornemisza in 2002. The organization’s multi-tier mission is to commission, collect, and present the best of contemporary art through an ambitious program of exhibitions and events and to pursue urgent social, political, and ecological issues, especially since 2011 via its oceanic research platform TBA21–Academy. Since 2018, TBA21 collaborates with the Museo Nacional Thyssen-Bornemisza in Madrid on a 4-years exhibitions program. Daniela joined TBA21 in 2003 and has played an instrumental role in shaping its exhibition and commissions program. Between 1995 and 2001 Daniela was chief curator of the MAK – Austrian Museum of Applied Arts / Contemporary Art in Vienna, which included the founding and programming of the MAK Center for Art and Architecture in Los Angeles. From 2000 to 2003 she worked as the artistic director of the Künstlerhaus, Vienna and as director of A9 Forum Transeuropa, a program of Q21 in Vienna’s Museumquartier.
Daniela earned a PhD on forms of artistic counter-research under the framework of political ecology. She has taught at the University of Applied Arts in Vienna and is currently lecturing at the University of Art and Industrial Design in Linz, and frequently authors essays for art publications.

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